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Varaha Purana 49.2: Adhyaya 49, Shloka 2

The Padmanābha Dvādaśī Observance, with the Eulogy of Lamp-Offering Merit

Pūrva Bhāga · Pūjā-vidhi / Aṅga-nyāsa style devotional mapping of divine epithets

पद्मनाभाय पादौ तु कटिं वै पद्मयोनये । उदरं सर्वदेवाय पुष्कराक्षाय वै उरः । अव्ययाय तथा पाणिं प्राग्वदस्त्राणि पूजयेत् ॥ ४९.२ ॥

Recitation with translationVaraha Purana 49.2

padmanābhāya pādau tu kaṭiṃ vai padmayonaye | udaraṃ sarvadevāya puṣkarākṣāya vai uraḥ | avyayāya tathā pāṇiṃ prāgvad astrāṇi pūjayet || 49.2 ||

Hendaknya menempatkan (nyāsa) kaki bagi Padmanābha, pinggang bagi Padmayoni, perut bagi Sarvadeva, dan dada bagi Puṣkarākṣa; demikian pula tangan bagi Avyaya. Seperti telah disebutkan, pujalah astra-mantra yang terkait.

padmanābhāyato Padmanabha (Vishnu)
padmanābhāya
TypeNoun
Formपुंलिङ्ग, चतुर्थी (दत्तिव/सम्प्रदान), एकवचन; समासः—पद्मस्य नाभिः यस्य सः (षष्ठी-तत्पुरुष)
RoleSampradana (सम्प्रदान)
Rootpadmanābha (प्रातिपदिक)
pādau(the) two feet
pādau
TypeNoun
Formपुंलिङ्ग, द्वितीया (कर्म), द्विवचन
RoleKarma (कर्म)
Rootpāda (प्रातिपदिक)
tuindeed/and
tu
TypeIndeclinable
Formअव्यय; निपात/समुच्चयार्थ-विशेषक (but/indeed)
RoleSambandha (सम्बन्ध/वाक्यसम्बन्ध)
Roottu (अव्यय)
kaṭimwaist
kaṭim
TypeNoun
Formस्त्रीलिङ्ग, द्वितीया (कर्म), एकवचन
RoleKarma (कर्म)
Rootkaṭi (प्रातिपदिक)
vaiindeed
vai
TypeIndeclinable
Formअव्यय; निपात (emphasis/indeed)
RoleSambandha (सम्बन्ध/वाक्यसम्बन्ध)
Rootvai (अव्यय)
padmayonayeto the lotus-born (Brahma)
padmayonaye
TypeNoun
Formपुंलिङ्ग, चतुर्थी (सम्प्रदान), एकवचन; समासः—पद्मः योनिः यस्य (कर्मधारय/षष्ठी-तत्पुरुषप्रायः)
RoleSampradana (सम्प्रदान)
Rootpadmayoni (प्रातिपदिक)
udarambelly
udaram
TypeNoun
Formनपुंसकलिङ्ग, द्वितीया (कर्म), एकवचन
RoleKarma (कर्म)
Rootudara (प्रातिपदिक)
sarvadevāyato the all-god / lord of all gods
sarvadevāya
TypeNoun
Formपुंलिङ्ग, चतुर्थी (सम्प्रदान), एकवचन; समासः—सर्वे देवाः (समाहार/सम्बन्ध) इति, ‘सर्वदेव’ (तत्पुरुष)
RoleSampradana (सम्प्रदान)
Rootsarvadeva (प्रातिपदिक)
puṣkarākṣāyato the lotus-eyed (Vishnu)
puṣkarākṣāya
TypeNoun
Formपुंलिङ्ग, चतुर्थी (सम्प्रदान), एकवचन; समासः—पुष्कर इव अक्षी यस्य (कर्मधारय)
RoleSampradana (सम्प्रदान)
Rootpuṣkarākṣa (प्रातिपदिक)
vaiindeed
vai
TypeIndeclinable
Formअव्यय; निपात (emphasis)
RoleSambandha (सम्बन्ध/वाक्यसम्बन्ध)
Rootvai (अव्यय)
uraḥchest
uraḥ
TypeNoun
Formनपुंसकलिङ्ग, द्वितीया (कर्म), एकवचन; पदान्त ‘-as’ → ‘-aḥ’ (विसर्ग)
RoleKarma (कर्म)
Rooturas (प्रातिपदिक)
avyayāyato the imperishable one
avyayāya
TypeNoun
Formपुंलिङ्ग, चतुर्थी (सम्प्रदान), एकवचन
RoleSampradana (सम्प्रदान)
Rootavyaya (प्रातिपदिक)
tathālikewise
tathā
TypeIndeclinable
Formअव्यय; क्रियाविशेषण (adverb: likewise/so)
RoleSambandha (सम्बन्ध/वाक्यसम्बन्ध)
Roottathā (अव्यय)
pāṇimhand
pāṇim
TypeNoun
Formपुंलिङ्ग, द्वितीया (कर्म), एकवचन
RoleKarma (कर्म)
Rootpāṇi (प्रातिपदिक)
prākvatas before
prākvat
TypeIndeclinable
Formअव्यय; क्रियाविशेषण (as before/previously)
RoleSambandha (सम्बन्ध/वाक्यसम्बन्ध)
Rootprākvat (अव्यय)
astrāṇiweapons (divine weapons)
astrāṇi
TypeNoun
Formनपुंसकलिङ्ग, द्वितीया (कर्म), बहुवचन
RoleKarma (कर्म)
Rootastra (प्रातिपदिक)
pūjayetshould worship
pūjayet
TypeVerb
Formलोट् (आज्ञार्थ/imperative), परस्मैपद, प्रथमपुरुष, एकवचन; विधिलिङ्गार्थेऽपि प्रयोगः (should worship)
RoleKriya (क्रिया)
Rootpūj (धातु)
  • prāgvad astrāṇi → prāgvad-astrāṇi (padānta d + a sandhi)
  • uraḥ is accusative singular of neuter uras with visarga at pause

Shanta and Bhakti rasa
Speaker

Varāha

Kind of teaching
Ritual hermeneutics (body-as-cosmos)
Subjects
Ritual PracticeMantra and IconographyDevotional Discipline
Core idea

Names (nāma) and forms (rūpa) are not mere labels; they are functional ‘stations’ of divine power, installed through disciplined attention.

In practice

In pūjā, proceed systematically—assign epithets to limbs, then complete protection by astra-pūjā; maintain mental visualization matching the assignments.

C
Classical Literature
P
Purāṇic Studies
V
Vaiṣṇavism
R
Ritual Studies

FAQs

It preserves a technical snapshot of Purāṇic ritual vocabulary—divine epithets, bodily loci (aṅga), and the worship of astras—useful for comparing later Vaiṣṇava pūjā manuals and mantra-prayoga traditions.

No geographic location is named in this verse; the content is primarily ritual-technical rather than topographical.

The verse emphasizes disciplined, methodical practice—performing worship with ordered attention to prescribed correspondences rather than improvisation.

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