Sukta 3.12
इन्द्रमग्निं कविच्छदा यज्ञस्य जूत्या वृणे । ता सोमस्येह तृम्पताम् ॥
índram agníṃ kaví-cchadā yajñásya jūtyā́ vṛṇe | tā́ somásyehá tṛmpatām ||
मैं इंद्र और अग्नि को चुनता हूँ। यह दोनों रिशियों के चमक में ढाके हैं, उनकी रोशनी में है। यज्ञ तेज़ी से आगे बढ़ रहा है। इन दोनों को यहाँ सोम रस पसंद आना चाहिए, खुश हो जाना चाहिए।
The poet chooses Indra and Agni for the swift movement of the sacrifice; may they be satisfied here with Soma.
The seeker deliberately selects (vṛṇe) the twin powers—illumined mind and kindled will—so the inner yajña can advance swiftly (jūti). ‘Kavi-chadā’ indicates they are ‘clothed/covered’ in seer-light: their action becomes intuitive, inspired, not merely mental. Their satisfaction is the stabilization of bliss (Soma) in the field of practice (iha).
Spiritual progress accelerates when aspiration is guided by intuition and empowered by illumined force; delight is not an afterthought but a confirming nourishment that consolidates the work.
Invocation and selection, Acceleration of the sacrifice, Satisfaction of powers by Soma, Seer-guided action
Mantras of selection and conquest: choosing the right divine allies for the inner battle and journey.
Shows the rishi’s practical yoga: deliberate alignment (‘I choose’) with the powers that make the sacrifice swift and effective.
They propel the yajña’s movement—Agni as the advancing flame, Indra as the breaker of limits and bringer of luminous force.
Inspired will + victorious illumination; the capacity to convert aspiration into rapid progress without losing harmony.
Indrāgnī Soma offering; selection/invitation verse in a hymn sequence
इन्द्र॑म॒ग्निं क॑वि॒च्छदा॑ य॒ज्ञस्य॑ जू॒त्या वृ॑णे । ता सोम॑स्ये॒ह तृ॑म्पताम् ॥
इन्द्र॑म् । अ॒ग्निम् । क॒वि॒ऽछदा॑ । य॒ज्ञस्य॑ । जू॒त्या । वृ॒णे॒ । ता । सोम॑स्य । इ॒ह । तृ॒म्प॒ता॒म् ॥
indram | agnim | kavi-chadā | yajñasya | jūtyā | vṛṇe | tā | somasya | iha | tṛmpatām
24
3×8 syllables (approx.)
Quick, decisive, ‘choosing’ rhythm; strong forward cadence matching jūti (impulsion).
Energizes and clarifies intention; supports a clean inner ‘decision’ and forward movement.
Selection/invocation formula within soma ritual: choosing the appropriate deities for the ‘jūti’ (swift onward drive) of the yajña; followed by request for their satisfaction with Soma.
At moments of inviting Indra-Agni to partake and propel the rite
Recitation with Soma libation; establishing the chosen devatā for the section
Use before work/creative effort: choose clarity (Indra) and will (Agni) for swift, inspired execution.
(kaví) ‘seer-poet’ from √kū/√kav? Vedic: inspired knower. (chadā) from √chad ‘cover, clothe’: ‘covered/veiled’, possibly implying ‘clad in inspiration’. (jūti) from √ju ‘hasten’: impulsion, swift advance. √vṛ ‘choose’ deliberate invocation. √tṛp ‘satisfy’ (cf. Avestan tarəp- semantic field): fullness/satiety—psychologically ‘contentment of the powers’ by the offered rasa.
Choice of inner powers (√vṛ), Swift progress (jūti), Inspired knowledge guiding action (kavi)
Speed is not haste but ṛta-driven momentum—movement aligned with truth-order.
‘Kavi’ implies satya-dṛṣṭi (truth-seeing) guiding action.
The gods’ satisfaction by Soma symbolizes the circulation of delight that sustains creation and progress.
Integral yoga lens: inspired mind (kavi) governing dynamic tapas (jūti).
Morning (impulsion and beginning of action)
Fire = drive; Moon/Soma = soothing delight that stabilizes progress; morning = initiating momentum.
Make a clear inner ‘choice’ to align will and mind with intuitive guidance; invite delight to seal the practice.
Ājñā (kavi-light) + Maṇipūra (jūti)
3-part breath: inhale (gather), brief hold (choose/align), exhale (advance/offer); 9 cycles.
Collected, forward-moving, inspired.
Before chanting, set a sankalpa: ‘I choose clarity and will for the swift progress of my inner offering.’ After chanting, rest 1 minute in the felt sweetness of Soma (quiet joy).
Follow marked accents; maintain crisp udatta on and key stressed syllables per text tradition; treat compounds (kavi-chadā) as one unit.
Do not flatten ‘jūtyā’; keep long ‘ū’ steady; pause lightly after ‘vṛṇe’.
kavi-chadā: ‘ch’ unaspirated palatal; avoid ‘kavichh…’ over-aspiration, jūtyā: long ū; ‘ty’ palatalized, tṛmpatām: retroflex ṛ, clear ‘mp’ cluster
Bright, confident, slightly martial; end with a satisfied, softened cadence on ‘tṛmpatām’.
9
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
A free sign-in with Google or Apple keeps your chat saved across web and the app.