अयोध्याकाण्डे त्रयोदशः सर्गः | Kaikeyi Presses the Boons; Dasaratha’s Lament and Collapse
Setting: Ayodhyā (palace, king’ s quarters/adjacent chamber)
इतीव राज्ञो व्यथितस्य सा निशा जगाम घोरं श्वसतो मनस्विनः ।
विबोध्यमानः प्रतिबोधनं तदा निवारयामास स राजसत्तमः ॥२६॥
itīva rājño vyathitasya sā niśā jagāma ghoraṃ śvasato manasvinaḥ |
vibodhyamānaḥ pratibodhanaṃ tadā nivārayāmāsa sa rājasattamaḥ ||26||
राजा की रात बहुत बुरी गुज़री। वो दुखी था, साँस चल रही थी। सुबह जब लोग नींद से जगाने लगे, राजा ने उन्हें रोका। बोला, मुझे मत जगाओ।
The night passed off with the high-minded king lamenting this way and heaving deep sighs. When he got up, the eminent king stopped (the panegyrists) awakening him.ityārṣē śrīmadrāmāyaṇē vālmīkīya ādikāvyē ayōdhyākāṇḍē trayōdaśassargaḥ৷৷Thus ends the thirteenth sarga of Ayodhyakanda of the holy Ramayana, the first epic composed by sage Valmiki.
Sorrow can suspend even rightful routines; dharma requires inner steadiness so that prescribed duties are not abandoned under emotional storm.
Night-vigil reflection: observe breath and grief without being ruled by it; supports prāṇāyāma-informed mindfulness and cultivation of śānti.
The interruption of the prescribed morning awakening ritual suggests how inner turmoil overrides external rites; mind (manas) dominates experience when afflicted.
Breath (prāṇa) and sighing as indicators of inner state recalls Upanishadic linkage of prāṇa with consciousness and suffering.
Rātri
Vālmīki Rāmāyaṇa 2.14 (night of grief and insomnia motifs); Rāmacaritamānasa Ayodhyākāṇḍa (night-long anguish before the exile events unfold)
Courtly ‘ prabodha’ (royal awakening) conventions known from kāvya and nāṭya traditions, here negated by grief
2.15 (morning consequences and announcements); 2.20 (Rāma’ s calm acceptance contrasting the king’ s turmoil)
Anuṣṭubh
Solemn, weary narrative
Slow madhyama, fading cadence on niśā jagāma / nivārayāmāsa
Dharma here appears as the human cost of righteous obligation: the king’s inner turmoil shows how adherence to truth-bound commitments can bring intense suffering.
Daśaratha spends a dreadful night in grief; in the morning he prevents the customary waking by court bards.
Manas (nobility of mind): even in anguish, the king’s conduct reflects dignity and restraint.
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