
Rishi: Atharvanic/Angirasa tradition (as typical for early AV apotropaic hymns; exact r̥ṣi per anukramaṇī should be confirmed for 1.8)
Chandas: Anuṣṭubh (probable; to be verified against pada-count in the Saunaka metrical listing)
AV 1.8 is an early Atharvavedic counter-sorcery hymn that identifies hostile beings (yātudhānas/“devourers”) and turns their attack back upon them. It mobilizes the “binding” authority of Bṛhaspati and the cutting, piercing force of Agni–Soma to seize, expose, and destroy what is hidden, driving the threat away like foam swept off by a river.
Mantra 1
यातुधाननाशनम्। इ॒दं ह॒विर्या॑तु॒धाना॑न् न॒दी फेन॑मि॒वा व॑हत्। य इ॒दं स्त्री पुमा॒नक॑रि॒ह स स्तु॑वतां॒ जनः॑
यह हवन जादू करने वालों को ले जाता है, जैसे नदी झाग को बहक ले जाती है। जो इससे औरत को मर्द बना देता है, वो लोगों में सबसे बड़ा तारीफ वाला है।
Mantra 2
अ॒यं स्तु॑वा॒न आग॑मदि॒मं स्म॒ प्रति॑ हर्यत । बृह॑स्पते॒ वशे॑ ल॒ब्ध्वाग्नी॑षोमा॒ वि वि॑ध्यतम्
यह आदमी गाते-गाते यहाँ आ गया है। इसको पकड़ लो, इसपे कंट्रोल कर लो। बृहस्पति, इसको अपने वश में कर लो। अग्नि और सोम, इसको मार डालो, इसको खत्म कर दो।
Mantra 3
या॒तु॒धान॑स्य सोमप ज॒हि प्र॒जां नय॑स्व च । नि स्तु॑वा॒नस्य॑ पातय॒ पर॒मक्ष्यु॒ताव॑रम्
हे सोमा पीने वाले, उस जादू करने वाले को मार डाल। लोगों को उसके फंदे से निकाल ले। जो तारीफ कर रहा है उसे गिरा दे। उसे बहुत दूर फेंक दे, ऐसे जैसे वो हिलने का नाम नहीं ले।
Mantra 4
यत्रै॑षामग्ने॒ जनि॑मानि॒ वेत्थ॒ गुहा॑ स॒ताम॒त्त्रिणां॑ जातवेदः । तांस्त्वं ब्रह्म॑णा वावृधा॒नो ज॒ह्येऽषां शत॒तर्ह॑मग्ने
अग्नि, तुम जानते हो वो कहाँ छुप के बैठे हैं। उनका असली चेहरा तुम्हें पता है। तुम अपनी शक्ति से उनको मार डाल। एक को मारने से सौ का काम बन जाएगा।
Begins by asserting the oblation/mantra as a force that carries off yātudhānas the way a river sweeps away foam, establishing immediate expulsion.
The adversary who has ‘come hymning’ is to be seized in return, brought under Bṛhaspati’s control, and then pierced/sundered by Agni–Soma.
The hymn claims extraordinary efficacy—able to overturn hostile magic and even effect radical transformation (hyperbolic proof of ritual mastery), while Agni is invoked as the one who knows hidden origins and can strike concealed devourers.
Concludes by charging Agni Jātavedas, strengthened by brahman, to smite the hidden devourers ‘a hundredfold,’ sealing the rite with amplified destruction and finality.
नदी फेनमिव वहत् (like a river sweeps away foam)बृहस्पते वशे लब्ध्वा … वि विध्यतम्ब्रह्मणा वावृधानः … शततर्हम् (strengthened by brahman… a hundredfold)Abhicarika (Sorcery/Counter-sorcery) with apotropaic thrust
Neutralization of sorcery and hostile beings by reversal (prati-haraṇa), binding (vaśa), and destructive ‘piercing’ (vyadh-) culminating in expulsion/annihilation.
Householders and ritual specialists (Atharvanic practitioners) seeking protection from witchcraft, demonic affliction, or a human adversary believed to act through occult means.
To capture the approaching hostile agent, place it under Bṛhaspati’s coercive authority, and have Agni–Soma/Agni destroy it decisively—especially when the threat is concealed or operating through witchcraft.
Performed when a hostile approach is suspected (after ominous signs, during illness attributed to attack, or before sleep/travel); traditionally effective at dusk/nightfall for rakṣas-aversion, though usable ad hoc.
Havis (simple oblation, typically ghee/grain)
Prepare a small, clean oblation portion; if using darbha, tie a simple knot while reciting the expulsion/piercing lines, then keep it at the threshold or on the person as a reminder of the rite’s ‘binding and driving-off’ intent.
It is used to repel and neutralize hostile forces—demons like yātudhānas/“devourers,” or human witchcraft—by reversing the attack and commanding divine destruction.
Bṛhaspati provides brahmanic control (bringing the threat under ‘vaśa’), while Agni–Soma execute the destructive act—piercing, splitting, and burning away the hostile agency.
At minimum, it can be recited with focused intent; traditionally it is paired with a small havis offering into fire. Optional symbolic aids (darbha or a pointed twig) mirror the hymn’s ‘binding’ and ‘piercing’ language.
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