The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
तपिनी च तथा सर्वेश्वरी चाप्यथ कौलिनी । मुद्राणंतनुरिष्वर्णरूपा चापार्णविग्रहा ॥ ४४ ॥
tapinī ca tathā sarveśvarī cāpyatha kaulinī | mudrāṇaṃtanuriṣvarṇarūpā cāpārṇavigrahā || 44 ||
她是炽热者(Tapinī);亦是众主之主(Sarveśvarī),亦名考利尼(Kaulinī)。她即是诸圣印(mudrā)之身;她是金辉灿然的主宰之相;她的身躯即无量大海。
Sanatkumara (teaching Narada in a technical/mantric context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It identifies the one Divine Shakti through multiple functional names—radiance (Tapinī), universal sovereignty (Sarveśvarī), and Kaula power (Kaulinī)—showing that diverse ritual and yogic approaches point to the same supreme Goddess.
By naming the Goddess as the all-sovereign and as the Lord’s own form, it supports devotional contemplation (bhakti) where the devotee worships the Divine as both immanent power and supreme ruler, beyond a single limited image.
The verse foregrounds ritual-technical practice through “mudrā”—a key element in mantra-vidyā and prayoga (procedural application), aligning with Book 1.3’s focus on technical disciplines used in correct recitation and ritual performance.