The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
बीजत्रयाद्यैः कुर्वीत पदैः सर्वेण मंत्रवित् । पंचांगानि च विन्यस्य मंत्रवर्णान्क्रमान्न्यसेत् ॥ ९४ ॥
bījatrayādyaiḥ kurvīta padaiḥ sarveṇa maṃtravit | paṃcāṃgāni ca vinyasya maṃtravarṇānkramānnyaset || 94 ||
通晓真言者,应以三种种子音(bīja)起首之词来行持仪轨;先安置五支(pañcāṅga)之安置法(nyāsa),继而按次第安放真言诸音节。
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It emphasizes mantra-śuddhi (ritual and sonic purity): the mantra becomes spiritually effective when its seed-syllables, limbs of nyāsa, and phonemes are installed in the correct order.
It frames devotion as disciplined worship: bhakti is expressed through careful, knowledgeable performance of mantra and nyāsa, aligning body, speech, and mind with the deity through ordered recitation and placement.
It highlights technical ritual science tied to śikṣā (phonetics) and mantra-viniyoga: correct varṇa (syllable) sequencing and structured nyāsa (pañcāṅga) as a practical procedure in worship.