The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
कोटिपूर्णेन्दुवर्णं च सुमुखं त्र् यक्षिवीक्षणम् । पीतवस्त्रोरुभूषाढ्यं नृसिहं शान्तविग्रहम् । चक्रशङ्खाभयवरान्दधतं करपल्लवैः ॥ ७० ॥
koṭipūrṇenduvarṇaṃ ca sumukhaṃ tr yakṣivīkṣaṇam | pītavastrorubhūṣāḍhyaṃ nṛsihaṃ śāntavigraham | cakraśaṅkhābhayavarāndadhataṃ karapallavaiḥ || 70 ||
当观想主那罗辛哈:其身色如亿万满月,面容端严,三目垂视;身披黄衣,宝饰庄严;形相寂静,以莲瓣般柔和之手执持轮、螺、无畏印与施愿赐福之印。
Narada (teaching a dhyāna/visualization of Narasiṃha within the instructional flow)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It gives a precise dhyāna-lakṣaṇa (meditative iconography) of Narasiṃha—fixing the mind on his luminous, serene form and divine attributes so devotion becomes steady and fear is pacified.
Bhakti is expressed through contemplative remembrance (smaraṇa/dhyāna): visualizing the Lord’s beauty, peace, and protecting gestures (abhaya) deepens surrender and trust in Vishnu as Narasiṃha.
It reflects applied śāstra-prayoga—using standardized dhyāna descriptors (form, color, weapons, mudrās) for correct ritual/meditation practice, aligning iconographic precision with mantra-upāsanā.