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Varaha Purana 113.33: Adhyaya 113, Shloka 33

Hymn to Varāha and Pṛthivī’s Inquiry

Prelude to the Sanatkumāra Dialogue

Pūrva Bhāga · Pṛthivī-uddhāra (Earth’s appeal and recourse to Viṣṇu)

अनन्तशयने देवं शयानं योगशायिनम् ।। ततः कमलपत्राक्षी नानाभरणभूषिता

Recitation with translationVaraha Purana 113.33

anantaśayane devaṃ śayānaṃ yogaśāyinam || tataḥ kamalapatrākṣī nānābharaṇabhūṣitā

پھر اُس نے اننت پر شایان دیوتا کو دیکھا—یوگک نیند میں آرام فرما، شایانِ یوگ؛ اس کے بعد کنول کی پنکھڑی جیسے نینوں والی دیوی، گوناگوں زیورات سے آراستہ، آگے بڑھی۔

अनन्तशयनेon Ananta’s couch
अनन्तशयने
TypeNoun
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन; तत्पुरुष (अनन्तस्य शयनम्)
Roleअधिकरण (Adhikaraṇa/Location)
Rootअनन्त + शयन (प्रातिपदिक)
देवम्the god (Vishnu)
देवम्
TypeNoun
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन
Roleकर्म (Karma)
Rootदेव (प्रातिपदिक)
शयानम्lying
शयानम्
TypeVerb
Formशतृ-प्रत्ययान्त वर्तमानकृदन्त (Present participle), पुंलिङ्ग, द्वितीया, एकवचन; ‘lying’
Roleकर्मविशेषण (Qualifier of object)
Rootशी (धातु)
योगशायिनम्reclining in yogic sleep
योगशायिनम्
TypeAdjective
Formपुंलिङ्ग, द्वितीया-विभक्ति, एकवचन; तत्पुरुष (योगेन शायी)
Roleकर्मविशेषण (Qualifier of object)
Rootयोग + शायिन् (प्रातिपदिक)
ततःthen/from there
ततः
TypeIndeclinable
Formअव्यय; अपादान/क्रमसूचक (from there/then)
Roleक्रियाविशेषण (Adverbial)
Rootततः (अव्यय)
कमलपत्राक्षीshe whose eyes are like lotus-petals
कमलपत्राक्षी
TypeNoun
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; बहुव्रीहि (कमलपत्रे इव अक्षिणी यस्याः)
Roleकर्ता (Kartā/Subject)
Rootकमल + पत्र + अक्षि (प्रातिपदिक)
नानाभरणभूषिताadorned with various ornaments
नानाभरणभूषिता
TypeAdjective
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; तत्पुरुष (नानैः आभरणैः भूषिता)
Roleकर्तृविशेषण (Qualifier of subject)
Rootनाना + आभरण + भूषित (प्रातिपदिक; क्त from भूष्)
  • अनन्तशयने = अनन्त + शयने
  • कमलपत्राक्षी = कमल + पत्र + अक्षी
  • नानाभरणभूषिता = नाना + आभरण + भूषिता

Adbhuta and Shringara rasaSetting: Cosmic realm
Speaker

Narrator (implicit; descriptive passage within the dialogue frame)

In this verse
She listens
Her state of mind

Awe-struck, reverent, approaching

Kind of teaching
Contemplative theology / iconographic meditation
Subjects
CosmologyIconographyLiterary Description
Core idea

Darśana of the Lord in yogic repose stabilizes the mind; the cosmos rests on the infinite (Ananta) upheld by the supreme.

In practice

Use Ananta-śayana visualization for dhyāna: contemplate steadiness, support, and the Lord’s effortless sovereignty amid worldly burden.

C
Classical Literature
V
Vaiṣṇava Iconography
P
Purāṇic Poetics
M
Mythic Cosmology

FAQs

It documents iconographic motifs (Ananta-śayana, yoga-śayana) that shaped later temple art and devotional literature, providing textual anchors for art-historical comparison.

No terrestrial location is specified; the setting is a cosmological/imaginal space associated with Ananta (Śeṣa).

Implicitly, it models disciplined approach—transitioning from distress to a composed, reverential encounter with the source of protection.

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