Adhyaya 40 — The Yogin’s Impediments (Upasargas), Subtle Concentrations, and the Eight Siddhis
स्पर्शं वायो तथा तद्वद्विभ्रतस्तस्य धारणाम् ।
व्योम्रः सूक्ष्मां प्रवृत्तिञ्च शब्दं तद्वज्जहाति सः ॥
sparśaṃ vāyo tathā tadvadvibhratastasya dhāraṇām | vyomraḥ sūkṣmāṃ pravṛttiñca śabdaṃ tadvajjahāti saḥ ||
اسی طرح وہ اس یکسوئی کو تھام کر ہوا کی صفتِ لمس کو ترک کرتا ہے۔ پھر آکاش میں شعور کی لطیف حرکت کے ساتھ وہ اسی طرح صفتِ صوت (شبد) کو بھی چھوڑ دیتا ہے۔
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Progress requires relinquishing even refined sensory markers; the practitioner learns to release the last ‘signatures’ by which mind recognizes worlds.
Yoga praxis instruction; not pañcalakṣaṇa.
The text encodes the tanmātra hierarchy: air→touch; ether→sound. Dropping sound in ‘space’ symbolizes entering a non-objectified awareness beyond vibration/word.