The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
इतरेतरबद्धकरप्रमदागणकल्पितरासविहारविधौ । मणिशंकुगमप्यमुना वपुषा बहुधा विहितस्वकदिव्यतनुम् ॥ ११३ ॥
itaretarabaddhakarapramadāgaṇakalpitarāsavihāravidhau | maṇiśaṃkugamapyamunā vapuṣā bahudhā vihitasvakadivyatanum || 113 ||
Sa lila na tila ritwal ng sayaw na rāsa na binuo ng mga dalagang magkakawing-kamay, Siya—bagama’t kumikilos na wari’y haliging may tuktok na hiyas—sa sarili Niyang katawan ay ipinamalas ang Kaniyang banal na anyo sa maraming paraan (nagparami ng sarili).
Narada (narration within the Narada Purana discourse tradition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It presents Krishna’s rāsa-līlā as a revelation of divinity: the Lord freely manifests multiple divine forms, teaching that the Supreme can be simultaneously present with all devotees.
By showing the Lord responding to the devotees’ loving circle-dance, the verse emphasizes intimate, personal devotion—Bhakti in which God becomes directly accessible and reciprocates with each devotee.
The verse uses precise poetic construction and compound-formation (Vyākaraṇa/grammar) to encode theology: terms like rāsa-vihāra-vidhi and divya-tanu convey a disciplined ‘mode’ of contemplation rather than a mere story.
Curious about the meaning, context, or a word? Ask, and continue the conversation in the Vedapath app.
A free Google sign-in keeps your chat saved across web and the app.
Read Narada Purana in the Vedapath app
Scan the QR code to open this directly in the app, with audio, word-by-word meanings, and more.