Shloka 5
Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
पुत्रावूचतुः इत्येवं वादिभिः पौरैः पुरः पृष्ठे च संवृतः ।
तत्क्षणप्रभवानन्दः प्रविवेश पितुर्गृहम् ॥
putrāv ūcatuḥ ityevaṃ vādibhiḥ pauraiḥ puraḥ pṛṣṭhe ca saṃvṛtaḥ | tat-kṣaṇa-prabhavānandaḥ praviveśa pitur gṛham ||
நகர மக்கள் முன்பும் பின்னும் சூழ்ந்து இவ்வாறு கூறியபோது, அவன் அந்தக் கணமே எழுந்த ஆனந்தத்துடன் தன் தந்தையின் இல்லத்தில் நுழைந்தான்।
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FAQs
The Purāṇic ideal of a hero is socially embedded: public welfare and familial duty converge in the image of the welcomed return.
Ākhyāna/Upākhyāna; supportive narrative material rather than sarga/manvantara data.
Entering the father’s house can be read as a return to ‘origin’ (kāraṇa), a motif often preceding revelation—here, the revelation of loss and the arising of remorse.