Shloka 155
Kroṣṭu–Yādava Lineages, the Syamantaka Jewel, Krishna’s Birth Context, and the Māyāmoha Account
चारुहासं कनिष्ठञ्च कन्याञ्चारुमतीं तथा । जज्ञिरे सत्यभामाया भानुर्भीमरथः क्षणः
cāruhāsaṃ kaniṣṭhañca kanyāñcārumatīṃ tathā | jajñire satyabhāmāyā bhānurbhīmarathaḥ kṣaṇaḥ
चारुहासं कनिष्ठञ्च कन्याञ्चारुमतीं तथा । जज्ञिरे सत्यभामाया भानुर्भीमरथः क्षणः ॥
Unknown (narrative genealogical listing within the chapter; specific speaker not provided in the input)
Concept: Household prosperity and progeny are framed as part of divine līlā; daughters and sons alike are included in the sacred record.
Application: Cultivate equal reverence and care for all children; treat family milestones as occasions for gratitude, charity, and remembrance of God.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"Satyabhāmā is depicted in a regal yet tender posture, with a cradle beside her and attendants offering garlands and auspicious lamps. Around her, the children are shown as small, radiant figures—Cāruhāsa and the youngest son near the cradle, Cārumatī as a child with a lotus bracelet, and Bhānu, Bhīmaratha, Kṣaṇa as princely toddlers with miniature standards—suggesting destiny through symbols rather than action.","primary_figures":["Satyabhāmā","Cāruhāsa","Cārumatī","Bhānu","Bhīmaratha","Kṣaṇa"],"setting":"Royal maternity chamber in Dvārakā with lotus-carved furniture, silk drapes, and auspicious floor-rangoli patterns","lighting_mood":"divine radiance","color_palette":["royal purple","sunlit gold","lotus pink","turquoise","sandalwood beige"],"tanjore_prompt":"Tanjore painting style: Satyabhāmā in ornate crown and silk sari beside a jeweled cradle, children arranged in a balanced devotional composition, thick gold leaf halos and architectural borders, gem-studded ornaments, rich crimson and emerald accents, auspicious lamps and garlands.","pahari_prompt":"Pahari miniature style: intimate maternal scene with Satyabhāmā and children, delicate textiles, soft pastel interior, refined expressions, subtle lotus motifs, gentle light and lyrical domestic serenity.","kerala_mural_prompt":"Kerala mural style: Satyabhāmā with stylized large eyes and bold outlines, children in symmetrical grouping, flat decorative palace background, warm red-yellow-green palette, auspicious symbols (lotus, lamp) emphasized.","pichwai_prompt":"Pichwai cloth painting style: maternal tableau framed by dense floral borders, lotus medallions around each child, deep indigo background with gold highlights, peacocks and vines, Vaishnava motifs subtly integrated into the border."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["soft lullaby-like drone","temple bells (light)","flower offerings rustle","conch shell (very distant)"]}
Sandhi Resolution Notes: कनिष्ठञ्च = कनिष्ठम् + च; कन्याञ्चारुमतीं = कन्याम् + चारुमतीम्; भानुर्भीमरथः = भानुः + भीमरथः (विसर्ग-सन्धि)
FAQs
It lists the children born to Satyabhāmā, giving several proper names as part of a genealogical narration.
Not directly; it functions primarily as a genealogical record within the narrative flow of the Sṛṣṭikhaṇḍa.
They preserve traditional lineages, connect characters across episodes, and situate theological narratives within a structured sacred history.