सप्तसप्ततितमः सर्गः
Ayodhya Return, Bridal Reception, and Bharata’s Departure
चोदयामास तां सेनां जगामाशु तत: पुरीम्।पताकाध्वजिनीं रम्यां तूर्योद्घुष्टनिनादिताम्।।1.77.7।।सिक्तराज पथां रम्यां प्रकीर्णकुसुमोत्कराम् ।राजप्रवेशसुमुखै: पौरैर्मङ्गलवादिभि:।।1.77.8।।सम्पूर्णां प्राविशद्राजा जनौघैस्समलङ्कृताम्।
siktarājapathāṃ ramyāṃ prakīrṇakusumotkarām | rājapraveśasumukhaiḥ paurair maṅgalavādibhiḥ || 1.77.8 ||
Царские дороги, окроплённые водой, были прекрасны и усыпаны россыпями цветов; а горожане, с сияющими лицами при входе царя, возглашали благие, счастливые слова.
Thereafter, king Dasaratha directed his army to proceed speedily in advance. When he reached the city of Ayodhya it looked welldecorated with flags and banners. It resounded with trumpets. The royal highways were sprinkiled with water and strewn with flowers. It was filled with groups of people. Awaiting with delight the arrival of the king the citizens produced merry sounds with musical instruments.
Social dharma: citizens honor rightful kingship through orderly welcome, auspicious speech, and communal participation in public life.
Ayodhyā is depicted as ceremonially prepared—roads cleansed, flowers strewn, and people assembled to greet the king.
Civic devotion and collective discipline—public joy expressed within cultural norms of auspicious conduct.