The Description of the Four Durgā Mantras
प्राङ्मध्ययोन्यंतराले पूजयेत्कल्पयेत्ततः । पंचभिः प्रणवैर्मूर्तिं तस्यामावाह्य देवताम् ॥ ६८ ॥
prāṅmadhyayonyaṃtarāle pūjayetkalpayettataḥ | paṃcabhiḥ praṇavairmūrtiṃ tasyāmāvāhya devatām || 68 ||
ପୂର୍ବ ଓ ମଧ୍ୟ ଭାଗର ମଧ୍ୟବର୍ତ୍ତୀ ସ୍ଥାନରେ ପୂଜା କରି, ପରେ ବିଧିକୁ ବ୍ୟବସ୍ଥା କରିବା। ପଞ୍ଚ ପ୍ରଣବରେ ଦେବତାଙ୍କ ମୂର୍ତ୍ତି ଗଢ଼ି, ସେଥିରେ ଦେବତାଙ୍କୁ ଆବାହନ କରିବା॥୬୮॥
Narada (teaching in a technical/ritual context, traditionally within Narada–Sanatkumara dialogue)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It emphasizes that worship is not merely external: the deity is consciously invoked (āvāhana) into a prepared form, aligning space, form (mūrti), and mantra (praṇava) into a focused act of devotion.
Bhakti here is expressed as attentive upāsanā—carefully preparing the worship-space and invoking the divine presence with praṇava-mantras, treating the deity as truly present and worthy of honor.
Ritual technicalities are highlighted—directional/space arrangement and mantra-application (praṇava usage) for āvāhana and forming the mūrti—reflecting applied śikṣā/mantra-prayoga and kalpa-style procedure.