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Skanda Purana — Nagara Khanda, Shloka 38

यत्रास्ते मुनिशार्दूलो देवरात इति स्मृतः । व्रतस्वाध्यायसंपन्नस्तपसा ध्वस्तकिल्विषः

yatrāste muniśārdūlo devarāta iti smṛtaḥ | vratasvādhyāyasaṃpannastapasā dhvastakilviṣaḥ

Di sana tinggal seorang resi agung, laksana harimau di kalangan para muni, dikenang sebagai Devarāta—sempurna dengan ikrar (vrata) dan swādhyāya, dan dosa-dosanya telah hangus oleh tapa.

यत्रwhere
यत्र:
Adhikarana (Location/अधिकरण)
TypeIndeclinable
Rootयत्र (अव्यय)
Formअव्यय; देशवाचक-अव्यय (locative adverb: 'where')
आस्तेsits; remains
आस्ते:
Kriya (Action/क्रिया)
TypeVerb
Rootआस् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष (3rd person), एकवचन (singular), आत्मनेपद
मुनिशार्दूलःtiger among sages
मुनिशार्दूलः:
Karta (Subject/कर्ता)
TypeNoun
Rootमुनि (प्रातिपदिक) + शार्दूल (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन; षष्ठी-तत्पुरुषः (मुनिनां शार्दूलः)
देवरातःDevarāta
देवरातः:
Karta (Subject/कर्ता)
TypeNoun
Rootदेवरात (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; नाम (proper name)
इतिthus
इति:
Sambandha (Quotation marker/सम्बन्ध)
TypeIndeclinable
Rootइति (अव्यय)
Formअव्यय; उद्धरण/इत्यर्थक (quotative particle)
स्मृतःis known/called
स्मृतः:
Kriya (Predicate/क्रिया)
TypeVerb
Rootस्मृ (धातु)
Formकृदन्त; क्त-प्रत्ययान्त (past passive participle), पुंलिङ्ग, प्रथमा, एकवचन; कर्मणि-प्रयोगार्थः ('is called/remembered')
व्रतस्वाध्यायसंपन्नःendowed with vows and self-study
व्रतस्वाध्यायसंपन्नः:
Visheshana (Adjectival to subject/विशेषण)
TypeAdjective
Rootव्रत (प्रातिपदिक) + स्वाध्याय (प्रातिपदिक) + संपन्न (कृदन्त)
Formपुंलिङ्ग, प्रथमा, एकवचन; समासः (व्रत-स्वाध्यायैः संपन्नः)
तपसाby austerity
तपसा:
Karana (Instrument/करण)
TypeNoun
Rootतपस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (Instrumental/3rd), एकवचन
ध्वस्तकिल्विषःwhose sins are destroyed
ध्वस्तकिल्विषः:
Visheshana (Adjectival to subject/विशेषण)
TypeAdjective
Rootध्वस्त (कृदन्त) + किल्विष (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन; समासः (ध्वस्तं किल्विषं यस्य) — बहुव्रीह्यर्थे प्रयोगः

Narrator (Brāhmaṇa Vatsa)

Type: ghat

Scene: A serene riverbank hermitage scene: Devarāta, radiant from austerity, seated in meditation with japa-mālā and palm-leaf manuscripts nearby; forest trees and a calm flowing river establish the tīrtha atmosphere.

D
Devarāta
V
Vrata
S
Svādhyāya
T
Tapas

FAQs

Vrata, svādhyāya, and tapas are portrayed as purifying forces that destroy moral impurity and establish spiritual authority.

The verse points to the hermitage-region within the Kāmyaka forest setting; the tīrtha’s broader glory is articulated through the episode that follows.

It commends vrata (vowed observances) and svādhyāya (scriptural recitation/study) as sustaining practices.