शर्वलब्धवरो दैवात्पुनस्तेपे महत्तपः । रम्ये सरस्वतीतीरे तरणाय भवार्णवात्
śarvalabdhavaro daivātpunastepe mahattapaḥ | ramye sarasvatītīre taraṇāya bhavārṇavāt
Setelah, menurut ketentuan takdir ilahi, memperoleh anugerah daripada Śarva (Śiva), dia sekali lagi menunaikan tapa yang agung di tebing Sarasvatī yang indah, demi menyeberangi samudera bhava—lautan kewujudan duniawi.
Narrator (contextual; likely Sūta continuing the account)
Tirtha: Sarasvatī-tīra (general)
Type: riverbank/ghat
Scene: Lohāsura performs fierce austerities on a beautiful Sarasvatī bank—still waters, reeds, hermitage trees—seeking to cross saṃsāra.
Tapas performed at sacred riverbanks is portrayed as a means toward liberation—crossing the ‘bhavārṇava’—though inner intent remains crucial.
The Sarasvatī riverbank (Sarasvatī-tīra) is presented as a spiritually potent setting for austerity.
Great tapas (austerity) is the practice emphasized; no specific vrata or dāna is detailed in this verse.