Narada Purana — Purva Bhaga, Shloka 142
The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
चंद्रा शिवादितिर्जीवा सर्पिणी पितृरूपिणी । अर्यम्णा च भगा सूर्या त्वाष्ट्रिमारुतिसंज्ञिका ॥ १४२ ॥
caṃdrā śivāditirjīvā sarpiṇī pitṛrūpiṇī | aryamṇā ca bhagā sūryā tvāṣṭrimārutisaṃjñikā || 142 ||
នាងត្រូវបានហៅថា ចន្ទ្រា, សិវា, អទិតិ, ជីវា, សර්ពីណី និង ពិតೃរូបিণី; ហើយក៏ត្រូវបានស្គាល់ថា អર્યម្នា, ភគា, សૂર្យា, ត្វាស្ត្រី និង ម៉ារុទី ផងដែរ។
Narada (in dialogue context with Sanatkumara tradition; technical enumeration style)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
FAQs
It highlights the many sacred epithets by which a single divine principle is invoked, showing how one power is approached through multiple Vedic names for different functions and contexts.
Bhakti is supported by correct remembrance and invocation: the verse models devotional practice through respectful recitation of recognized divine names (nāma) and forms (rūpa) used in worship and mantra.
It reflects Vedāṅga-style technical cataloguing of deity names—useful in Jyotiṣa and ritual manuals where specific epithets correspond to particular rites, timings, or mantra-usage conventions.