The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
बीजं कृष्णाय तारान्ते बीजं च कल्किने ततः । जयद्वयं ततः शालग्रामान्ते च निवासिने ॥ १५५ ॥
bījaṃ kṛṣṇāya tārānte bījaṃ ca kalkine tataḥ | jayadvayaṃ tataḥ śālagrāmānte ca nivāsine || 155 ||
ចូរបន្ថែមព្យាង្គគ្រាប់ (ប៊ីជ) សម្រាប់ ព្រះក្រឹષ્ણៈ ដោយបញ្ចប់ជាមួយ “តារា” (តារ-ប្រណវ) បន្ទាប់មកបន្ថែមប៊ីជសម្រាប់ កល្កិន។ បន្ទាប់ពីនោះ បន្ថែមពាក្យជ័យពីរដង “ជយ ជយ”; ហើយចុងក្រោយ បន្ថែម “ដល់ព្រះអន្តរវាសិន នៅឯ សាលគ្រាម”។
Narada (in instruction to the Sanatkumara tradition on technical mantra construction)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches a precise mantra-formation method that centers devotion on Viṣṇu as present in Śālagrāma, invoking Kṛṣṇa and Kalkin and sealing the prayer with victory-acclamation (jaya-jaya).
Bhakti is expressed here as disciplined remembrance and invocation—addressing the Lord by specific forms (Kṛṣṇa, Kalkin) and affirming His triumph (jaya-jaya), culminating in worship of His tangible presence in Śālagrāma.
It reflects mantra-vinyāsa (structured placement of syllables) and correct ritual sequencing—an applied, technical side of sacred recitation aligned with śikṣā (phonetics) and ritual procedure.