Gaṇeśa Mantra-vidhi: Mahāgaṇapati Gāyatrī, Vakratuṇḍa Mantra, Nyāsa, Homa, Āvaraṇa-pūjā, and Caturthī Vrata
निधिप्रदीपां पापघ्नीं पुण्यां पश्चाच्छशिप्रभाम् । दलाग्रेषु वक्रतुंड एकदंष्ट्रमहोदरौ ॥ ७१ ॥
nidhipradīpāṃ pāpaghnīṃ puṇyāṃ paścācchaśiprabhām | dalāgreṣu vakratuṃḍa ekadaṃṣṭramahodarau || 71 ||
បន្ទាប់មក គួរដាក់/ធ្វើធ្យាន «និធិប្រទីបា» អ្នកបំផ្លាញបាប និងអ្នកប្រទានបុណ្យ; បន្ទាប់ពីនោះ «សសិប្រភា» អ្នកភ្លឺដូចព្រះចន្ទ។ លើចុងស្លឹក គួរដាក់/មើលឃើញ «វក្រទុណ្ឌ» (ព្រះអង្គមានខ្លួនច្រមុះកោង), «ឯកដំស្ត្រ» (មានភ្លុកតែមួយ) និង «មហោទរ» (ពោះធំ)។
Narada (in instruction/listing mode within the Vedanga/ritual-technical section, traditionally conveyed to/within dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It emphasizes purification and auspiciousness through ordered remembrance/placement of sacred names—especially sin-destroying (pāpaghnī) and merit-producing (puṇyā) forms—culminating in Gaṇeśa’s epithets for removing obstacles in ritual proceedings.
Bhakti is expressed here as disciplined worship: invoking divine names with specific qualities (moon-like radiance, sin-destruction) and honoring Gaṇeśa through his traditional epithets, aligning the devotee’s mind and rite toward successful, obstacle-free devotion.
It reflects a technical, procedural style typical of ritual instruction—sequencing, correct appellations, and placement/visualization—closely related to Kalpa (ritual procedure) and the precise use of names/forms as part of liturgical practice.