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Shloka 24

Śumbha–Niśumbha-pīḍā and Devastuti to Durgā/Śivā

Names and Forms of the Devī

कदलीस्तंभजंघोरुः कीरनासाऽहिदौर्लता । रणन्मञ्जीरचरणा रम्यमेखलया युता

kadalīstaṃbhajaṃghoruḥ kīranāsā'hidaurlatā | raṇanmañjīracaraṇā ramyamekhalayā yutā

彼女の脛と腿は滑らかな芭蕉の茎のごとく、鼻は鸚鵡の嘴のようであった。腕は優美な蔓草のごとくしなやかで、足には鈴鳴る足環が飾られて柔らかく響き、愛らしい腰帯がその美をいよいよ際立たせていた。

कदली-स्तम्भ-जङ्घा-ऊरुःshe whose thighs and shanks are like plantain-stems
कदली-स्तम्भ-जङ्घा-ऊरुः:
विशेषण (Adjectival qualifier of subject/कर्ता-विशेषण)
TypeAdjective
Rootकदली (प्रातिपदिक) + स्तम्भ (प्रातिपदिक) + जङ्घा (प्रातिपदिक) + ऊरु (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; बहुव्रीहिसमासः—यस्याः जङ्घे ऊरू च कदलीस्तम्भवत् (having thighs and shanks like plantain-stems)
कीर-नासाparrot-nosed
कीर-नासा:
विशेषण (कर्ता-विशेषण)
TypeAdjective
Rootकीर (प्रातिपदिक) + नासा (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; बहुव्रीहिः—यस्याः नासा कीरवत् (having a parrot-like nose)
अहि-दौः-लताhaving arms like serpent-vines
अहि-दौः-लता:
विशेषण (कर्ता-विशेषण)
TypeAdjective
Rootअहि (प्रातिपदिक) + दोः (प्रातिपदिक) + लता (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; बहुव्रीहिः—यस्याः दोः (भुजाः) अहिलतावत् (having arms like serpent-creepers)
रणन्-मञ्जीर-चरणाwith feet whose anklets jingle
रणन्-मञ्जीर-चरणा:
विशेषण (कर्ता-विशेषण)
TypeAdjective
Rootरणत्/रणन् (कृदन्त; √रण् धातु) + मञ्जीर (प्रातिपदिक) + चरण (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; बहुव्रीहिः—यस्याः चरणेषु रणन्मञ्जीरम् (whose feet have jingling anklets)
रम्य-मेखलयाwith a lovely girdle
रम्य-मेखलया:
करण (Instrument/करण)
TypeNoun
Rootरम्य (प्रातिपदिक) + मेखला (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/करण), एकवचन; कर्मधारयः—रम्या मेखला (a lovely girdle)
युताendowed (with)
युता:
विशेषण (कर्ता-विशेषण)
TypeAdjective
Root√युज् (धातु) → युत (कृदन्त, क्त)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; क्त-प्रत्ययान्तः भूतकर्मणि/भावे—युक्ता/समन्विता (endowed/possessed)

Suta Goswami

Tattva Level: pati

Shiva Form: Umāpati

Type: stotra

Shakti Form: Gaurī

Role: nurturing

P
Parvati
S
Shiva

FAQs

It presents Devī’s auspicious, saguna (manifest) form as a support for devotion—purifying the mind through reverent contemplation and leading the devotee toward Shiva-Śakti unity, a key Shaiva Siddhanta ideal.

While the Linga points to Shiva’s nirguna depth, this verse emphasizes saguna contemplation—honoring the divine attributes of Śakti (Parvati) that inseparably accompany Shiva, strengthening bhakti that culminates in Linga-centered worship.

A simple dhyāna practice is implied: visualize the auspicious form of Devī with steady attention, then offer mantra-japa (such as “Om Namaḥ Śivāya”) and conclude with inner surrender to Shiva-Śakti.