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Varaha Purana 6.41: Adhyaya 6, Shloka 41

The Puṇḍarīkākṣapāraka Hymn and Puṣkara Tīrtha: The Account of King Vasu’s Release from Sin

Pūrva Bhāga · Pr̥thivī-Uddhāra and Royal Narrative Frame

श्रीवराह उवाच । एवमुक्त्वा ततो राजा विमानवरमास्थितः । परेण तेजसा योगमवापाशेषधारिणि ॥ ६.४१ ॥

Recitation with translationVaraha Purana 6.41

śrīvarāha uvāca | evam uktvā tato rājā vimāna-varam āsthitaḥ | pareṇa tejasā yogam avāpa aśeṣa-dhāriṇi || 6.41 ||

वराह भगवान ने कहा। बात करके बाद, राजा ने एक अच्छा विमान लिया। वो उसमें बैठ गया। फिर वो बड़ी चमक के साथ योग में मिल गया। यह सब धरती को उठा के रखता है।

śrīvarāhaḥŚrī-Varāha
śrīvarāhaḥ
TypeNoun
FormPuṃliṅga (masculine), Prathamā vibhakti (Nominative/1st), Ekavacana (singular)
RoleKarta (कर्ता/Subject)
Rootśrī-varāha (प्रातिपदिक)
uvācasaid
uvāca
TypeVerb
FormLiṭ-lakāra (Perfect), Prathama-puruṣa (3rd person), Ekavacana (singular), Parasmaipada
RoleKriyā (क्रिया/Verbal action)
Rootvac (धातु)
evamthus
evam
TypeIndeclinable
FormAvyaya; adverb (क्रियाविशेषण)
RoleKriyāviśeṣaṇa (क्रियाविशेषण/Adverbial)
Rootevam (अव्यय)
uktvāhaving spoken
uktvā
TypeVerb
FormAbsolutive/Gerund (क्त्वान्त), indicating prior action (पूर्वक्रिया)
RoleKriyā (क्रिया/Verbal adjunct)
Rootvac (धातु) + ktvā (क्त्वा)
tataḥthen/from there
tataḥ
TypeIndeclinable
FormAvyaya; adverb of sequence (क्रमवाचक)
RoleKriyāviśeṣaṇa (क्रियाविशेषण)
Roottatas (अव्यय)
rājāthe king
rājā
TypeNoun
FormPuṃliṅga, Prathamā (Nominative/1st), Ekavacana
RoleKarta (कर्ता)
Rootrājan (प्रातिपदिक)
vimāna-varamthe excellent aerial car
vimāna-varam
TypeNoun
FormNapुंसकलिङ्ग (neuter), Dvitīyā (Accusative/2nd), Ekavacana; tatpuruṣa: 'excellent vimāna'
RoleKarma (कर्म/Object)
Rootvimāna (प्रातिपदिक) + vara (प्रातिपदिक)
āsthitaḥhaving mounted/being seated
āsthitaḥ
TypeVerb
FormPast passive participle (क्त), Puṃliṅga, Prathamā, Ekavacana; used predicatively with rājā
RoleKriyā (क्रिया/Predicate)
Rootā-√sthā (स्था) (धातु) + kta (क्त)
pareṇaby supreme
pareṇa
TypeAdjective
FormPuṃ/Napuṃ (agreeing with tejasā), Tṛtīyā (Instrumental/3rd), Ekavacana
RoleKaraṇa (करण/Instrument)
Rootpara (प्रातिपदिक)
tejasāby splendor/energy
tejasā
TypeNoun
FormNapुंसकलिङ्ग, Tṛtīyā (Instrumental/3rd), Ekavacana
RoleKaraṇa (करण)
Roottejas (प्रातिपदिक)
yogamyoga/union
yogam
TypeNoun
FormPuṃliṅga, Dvitīyā (Accusative/2nd), Ekavacana
RoleKarma (कर्म)
Rootyoga (प्रातिपदिक)
avāpaattained
avāpa
TypeVerb
FormLuṅ-lakāra (Aorist), Prathama-puruṣa (3rd), Ekavacana, Parasmaipada
RoleKriyā (क्रिया)
Rootava-√āp (आप्) (धातु)
aśeṣa-dhāriṇiin/with the all-sustaining (power/state)
aśeṣa-dhāriṇi
TypeAdjective
FormStrīliṅga (feminine), Saptamī (Locative/7th), Ekavacana; tatpuruṣa: 'bearing all/without remainder'
RoleAdhikaraṇa (अधिकरण/Locative)
Rootaśeṣa (प्रातिपदिक) + dhārin (प्रातिपदिक)
  • śrīvarāha uvāca → śrīvarāhaḥ uvāca
  • evamuktvā → evam uktvā
  • vimānavaramāsthitaḥ → vimāna-varam āsthitaḥ
  • yogamavāpa → yogam avāpa
  • avāpāśeṣadhāriṇi → avāpa aśeṣa-dhāriṇi

Shanta and Adbhuta rasaSetting: Transcosmic narrative space
Speaker

Varāha

In this verse
Varaha teaches her
Her state of mind

Receptive, steady, bearing-all; contemplative witness to the king’s yogic ascent.

What she asks

What is the nature of ‘supreme radiance’ (para-tejas) and yogic union attained after dharmic instruction and narrative completion?

Path
Yoga/mokṣa
Subjects
CosmologyKingship and narrative frameYogic attainment
Core idea

Dharmic awakening and right instruction can culminate in yogic union with the supreme luminous principle (para-tejas).

In practice

Integrate dharma with contemplative practice (japa, dhyāna, śravaṇa) aiming at inner luminosity and detachment from merely worldly reward.

With the Earth

Direct address to Earth as ‘aśeṣa-dhāriṇī’ (bearer of all); narrative closure within Varāha–Bhū frame.

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
S
Sanskrit Philology

FAQs

It preserves a common Purāṇic narrative motif—royal transition or ascent (vimāna) paired with yogic attainment—useful for comparing how Purāṇas frame kingship, mobility, and spiritual power within epic-style storytelling.

No specific place-name appears in this verse; it is primarily a narrative transition describing ascent into a vimāna and attainment of yoga through supreme tejas.

Rather than a direct injunction, the verse foregrounds a philosophical theme: disciplined attainment (yoga) is presented as achievable through elevated inner power (tejas), within a narrative of responsible authority (the king).

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