Sukta 9.48
संवृक्तधृष्णुमुक्थ्यं महामहिव्रतं मदम् । शतं पुरो रुरुक्षणिम् ॥
saṃvṛ́kta-dhṛṣṇum ukthyàṃ mahā́mahi-vrataṃ mádam | śatáṃ púro rurukṣáṇim ||
यह सोम रस साफ है और बहुत ताकतवाला है। इसकी महिमा गाने लायक है। यह बड़े-बड़े कानों का मद करता है। यह सौ जगह से हमला रोकेगा।
The Soma, purified and bold, praised by hymns, is a mighty intoxication under a vast law; it guards a hundred fronts (forts/gates) against attack.
The clarified Soma-consciousness (purified delight) becomes a fearless, hymn-awakened ecstasy that establishes the seeker in a “vast and mighty vow/law” (mahā-mahi-vrata): a stable inner discipline of Truth. It then protects the many “fronts” of the being—physical, vital, mental, and their sub-parts—against the assaults of confusion, desire, and inertia.
When delight is purified and yoked to a higher law (ṛta-dharma), it becomes a courageous, organizing power that fortifies the whole personality against disruptive forces.
protection, ecstasy, rite and order, boldness
Mandala 9 is largely attributed to multiple seer-families (e.g., Kāṇva, Atri, Vasiṣṭha, Kaśyapa lineages) arranged by ritual-liturgy; this specific verse is transmitted without a stable single-rishi attribution in the provided source.
The anonymous seer-voice here represents a collective yogic realization: Soma as an inner ecstasy disciplined by a vast law, capable of defending the integrality of the seeker’s nature.
The purifying current of delight that flows through the worlds, strengthening the gods (powers) and establishing ṛta in the sacrifice.
Ananda made luminous—ecstatic clarity that both uplifts and organizes the being, creating inner immunity to hostile movements.
Soma Pavamāna chants during Soma pressing and purification (pavitra)
संवृ॑क्तधृष्णुमु॒क्थ्यं॑ म॒हाम॑हिव्रतं॒ मद॑म् । श॒तं पुरो॑ रुरु॒क्षणि॑म् ॥
सव्ँम्वृ॑क्तऽधृष्णुम् । उ॒क्थ्य॑म् । म॒हाऽम॑हिव्रतम् । मद॑म् । श॒तम् । पुरः॑ । रु॒रु॒क्षणि॑म् ॥
saṃvṛkta-dhṛṣṇum | ukthyam | mahāmahivratam | madam | śatam | puraḥ | rurukṣaṇim
Anuṣṭubh (probable; Mandala 9 commonly uses Triṣṭubh/Jagatī, but this pāda-length suggests Anuṣṭubh-like cadence)
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4 pādas × ~8 syllables (approximate)
Compact, hammer-like assertion; protective and declarative.
Builds firmness and vigilance; the rhythm supports the sense of ‘guarding the fronts’—a mantra for inner fortification.
Soma as protective and invigorating force in the rite; inner correlate: ecstatic clarity that guards the many ‘fronts’ of consciousness
During Soma filtration/flow in Soma-yajña sequences; also as part of Pavamāna stotras in recitation traditions.
Chant while Soma is strained and offered; invocation of purified Soma’s strengthening and protective power.
Use as a protective meditation-chant before work, travel, or sādhanā—invoking disciplined ecstasy that guards the senses and mind.
dhṛṣṇu from √dhṛṣ ‘be bold, dare’. ukthya ‘praiseworthy/fit for hymn’. vrata from √vṛ ‘choose, will’ → ‘chosen law/vow’; in Vedic often ‘ordinance’ of a power, aligning with ṛta. mada from √mad ‘be exhilarated/intoxicated’ → ecstasy. pura ‘fort/front’ becomes inner ‘protective formations’. rurukṣaṇi- desiderative/intensive from √rakṣ ‘protect’ → ‘eagerly guarding’.
vrata as ordinance of ṛta, mada as uplift into luminous intensity
Explicit via ‘mahāmahivratam’—Soma as ecstasy aligned to the vast law of ṛta.
Protection of the being’s ‘fronts’ so truth can remain unbroken by falsehood and dispersion.
Purification as a cosmogonic act: clarified delight becomes a world-ordering force.
Proto-Vedāntic and integral-yogic reading (Aurobindo/Kashyap): Soma as Ananda-principle supporting ascent and integration.
Soma’s ‘flow’ is the streaming of clarified delight through the nervous-mental system; the ‘forts’ are the guarded sense-doors and psychological centers.
Purified delight as a protective sheath: let a clear joy fill the body-mind and stand watch at the sense-doors.
Manipura (will/force) and Anahata (joy/expansion)
Slow nasal breathing with gentle internal ‘offering’ on exhale; feel a bright stream descending through the front of the body.
Steady exhilaration—alert peace (śānta-vīra).
Before chanting, set an intention to align joy with truth (ṛta). While repeating, sense ‘hundred fronts’ as the many habits and impulses; let the mantra establish firm, luminous boundaries.
Mixed udatta/anudatta/svarita as per Rigvedic accenting; preserve the marked svaras in ‘saṃvṛkta-’, ‘saṃvṛkta-…’, ‘madam’, ‘pur’.
Keep the udatta (raised) crisp on accented syllables; let svarita glide downward; avoid flattening compounds (e.g., mahāmahivratam).
saṃvṛkta: nasal ‘ṃ’ before ‘v’, and ṛ as a short vocalic ‘r’, dhṛṣṇu: aspirate ‘dh’, retroflex ‘ṣ’, ukthyam: ‘kth’ cluster articulated cleanly, rurukṣaṇim: roll the repeated ‘ru-ru’, keep ‘kṣ’ as ‘k’+‘ṣ’
Firm, bright, protective—steady chest resonance without strain.
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