Sukta 7.95
इमा जुह्वाना युष्मदा नमोभिः प्रति स्तोमं सरस्वति जुषस्व । तव शर्मन्प्रियतमे दधाना उप स्थेयाम शरणं न वृक्षम् ॥
imā́ juhvānā yuṣmád ā namo-bhíḥ práti stómaṃ sarasvati juṣasva | táva śárman priya-táme dádhānā úpa stheyāma śaráṇaṃ ná vṛkṣám ||
सरस्वती, हम हाथ उठा के तुम्हे पूजा कर रहे हैं। हमारी यह स्तुति सुन ले और खुश हो जा। तुम्हारी शरण में हम सफ़ेद हैं, जैसे पेड़ के सारे में कोई खड़ा हो।
The worshippers, hands uplifted in offering and reverence, ask Sarasvatī to accept their hymn and delight in it. They seek to draw near to her most cherished sheltering peace, like one taking refuge by a tree.
The seeker offers the energies of speech and aspiration (stoma, namas) to Sarasvatī as the flowing goddess of inspired truth-word. “Uplifted hands” signifies raising the active powers of the being toward the higher consciousness. The prayer is to stand close to her śarman—an inner poise of protection and wideness—so the mind can rest in her luminous current as in a living refuge (tree = stable axis of growth).
When our speech becomes an offering and our will turns upward, the higher current of truth-consciousness responds; abiding near that inner peace, the being finds a stable refuge amid life’s movements.
Nature symbol to inner refuge, Consent of the deity (juṣ), Shelter in inspiration, Devotional approach (namas)
Royal purohita tradition; hymns emphasize Ṛta, harmony, and the truth-word (vāk) as a path of realization.
Vasiṣṭha’s vision often turns sacrifice inward: speech becomes mantra-power, and the goal is to establish the being in ṛta (right order) through luminous inspiration.
River of inspiration and truth-flow; upholder of right order through illumined speech and discernment.
The streaming force of inspired word (vāk) that purifies thought, opens inner passages, and establishes a protected wideness.
Sarasvatī-stotra within Soma-yajña or river/inspiration invocations; also used as praise in recitation cycles of Maṇḍala 7.
इ॒मा जुह्वा॑ना यु॒ष्मदा नमो॑भि॒: प्रति॒ स्तोमं॑ सरस्वति जुषस्व । तव॒ शर्म॑न्प्रि॒यत॑मे॒ दधा॑ना॒ उप॑ स्थेयाम शर॒णं न वृ॒क्षम् ॥
इ॒मा । जुह्वा॑नाः । यु॒ष्मत् । आ । नमः॑ऽभिः । प्रति॑ । स्तोम॑म् । स॒र॒स्व॒ति॒ । जु॒ष॒स्व॒ । तव॑ । शर्म॑न् । प्रि॒यऽत॑मे । दधा॑नाः । उप॑ । स्थे॒या॒म॒ । श॒र॒णम् । न । वृ॒क्षम् ॥
imā | juhvānāḥ | yuṣmat | ā | namaḥ-bhiḥ | prati | stomam | sarasvati | juṣasva | tava | śarman | priya-tame | dadhānāḥ | upa | stheyāma | śaraṇam | na | vṛkṣam
44
4 pādas × ~11 syllables (Triṣṭubh cadence; minor textual variants may shift counts)
Forward-driving yet spacious; suited to invocation and approach (upa-stheyāma).
Builds a sense of ascent (offering) followed by settling into protection (śarman), leaving the listener with calm confidence.
Sarasvatī invocation in river/purification and inspiration contexts; used to secure clarity of speech, right flow of the rite, and protective peace for the sacrificer.
During stotra/śastra praise or when invoking Sarasvatī for inspired speech and right performance.
Recitation/chant with añjali (uplifted hands), mental offering of speech and intention.
Before study, teaching, creative work, or meditation: offer one’s speech/thought to truth and sit in a felt sheltering peace.
Sarasvatī from saras ‘flowing water/lake’ + vatī ‘possessing’ → the power of inspired flow. √juṣ ‘enjoy/accept’ indicates divine consent to the offering. śarman ‘shelter/peace’ is the settled ease of protection; √sthā ‘stand’ (stheyāma) conveys stable establishment near the goddess—abiding in inspiration. The tree simile (vṛkṣa) suggests living support: rootedness, shade, and refuge—psychologically, a stable axis of consciousness.
inspired speech (vāc) as a goddess-power, śarman as protective peace, nearness/abiding (upa-sthā) as yogic stance
Approaching Sarasvatī is approaching the current that aligns speech and mind with ṛta.
Acceptance of the hymn symbolizes consent of Satya to enter human speech.
Word as a bridge between the human and the divine; refuge as establishment in a stable plane of consciousness.
Proto-Vedāntic/Integral (Aurobindonian) reading: ascent of mind into truth-consciousness through mantra and surrender.
The river is the flowing inspiration; the tree is the steady inner axis—rooted in silence, branching as luminous understanding, giving shade as peace.
Offer speech and thought upward; then rest attention in a felt ‘shelter’ in the heart-mind where calm wideness descends.
Viśuddha (throat; purified speech) with support from Anāhata (heart-peace).
Gentle ujjāyī or slow nasal breathing; exhale with the sense of offering, inhale with the sense of receiving shelter.
Quiet receptive mind (śānta), with a subtle upward aspiration.
Chant once slowly, then sit 3–5 minutes sensing Sarasvatī as a cool luminous stream descending through the throat into the heart; end by invoking ‘śarman’ as a protective field around the being.
Vedic svara as per Śākala tradition (udātta/anudātta/svarita); key lifts often on vocatives and imperatives (sarasvati, juṣasva).
Keep clear udātta rise on principal syllables; avoid flattening ‘juṣasva’ and ‘śarman’. Maintain caesura after the first pāda break (|).
(sa-ras-va-ti): light ‘ti’, no English ‘sh’, (juṣasva): retroflex ṣ; short ‘a’ in -sva, (śarman): ś as ‘sh’, but crisp; final -n is dental, (vṛkṣam): conjunct vṛ-kṣ; keep ṛ vocalic, not ‘ri’
Warm, steady, devotional; soften at ‘tava śarman’ as you ‘rest’ in the sound.
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