Sukta 3.32
इन्द्र सोमं सोमपते पिबेमं माध्यंदिनं सवनं चारु यत्ते । प्रप्रुथ्या शिप्रे मघवन्नृजीषिन्विमुच्या हरी इह मादयस्व ॥
índra sómaṃ somapate píba imáṃ mā́dhyandinaṃ sávanaṃ cā́ru yát te | praprúthyā śípre maghavann ṛjīṣin vimúcyā hárī ihá mādayasva ||
इंद्र को पुकारा जा रहा है, वो सोम के मालिक हैं। उन्हें कहते हैं कि यह सोम पिएँ, दोपहर का बनाया हुआ, जो उन्हें पसंद है। उनके गाल खिल गए हैं, वो बड़े दाता हैं। अपनी ताकत थोड़ा आराम दे के, यहाँ खुश हो जाओ।
The poet invites Indra, lord of Soma, to drink the delightful midday Soma. Indra is pictured as swelling his cheeks with the draught and then unyoking his two horses/powers to rejoice in the intoxication.
The seeker calls the illumined Mind (Indra) to drink the Soma of delight distilled in the midday of the sadhana—when aspiration and clarity are strongest. “Cheeks filled” suggests the full reception and assimilation of Ananda into the mental being. “Unyoking the two harī” indicates releasing the dual dynamic energies (often read as thought-force and life-force, or the two currents of prāṇa) from outward impulsion so they can turn inward and participate in the ecstasy of inner sacrifice.
Spiritual progress intensifies when consciousness is gathered at its ‘midday’—a peak moment of clarity. When the higher intelligence fully receives bliss, the restless dual energies can be harnessed, released from compulsion, and made to delight in the inner offering rather than external pursuit.
Soma-ritual, Indra exhilaration, Empowerment for victory, Invocation at midday pressing
Royal-turned-brahmarṣi; hymns often show the conversion of kṣatriya force into mantric vision and spiritual mastery.
Viśvāmitra embodies tapas-driven ascent: the will and warrior-energy purified into seerhood. In Aurobindonian reading, his Indra hymns are practical mantras for invoking illumined mind and releasing the hidden waters of consciousness.
Breaker of the cover (Vṛtra-slayer), releaser of waters and light, establisher of wide space for the gods in the human being.
Illuminative intelligence that drinks Ananda and turns it into victorious force (vīrya) and right action.
Mādhyandina Soma Savana (midday pressing) in Soma-yāga contexts
इन्द्र॒ सोमं॑ सोमपते॒ पिबे॒मं माध्यं॑दिनं॒ सव॑नं॒ चारु॒ यत्ते॑ । प्र॒प्रुथ्या॒ शिप्रे॑ मघवन्नृजीषिन्वि॒मुच्या॒ हरी॑ इ॒ह मा॑दयस्व ॥
इन्द्र॑ । सोम॑म् । सो॒म॒ऽप॒ते॒ । पिब॑ । इ॒मम् । माध्य॑न्दिनम् । सव॑नम् । चारु॑ । यत् । ते॒ । प्र॒ऽप्रुथ्य॑ । शिप्रे॒ इति॑ । म॒घ॒ऽवन् । ऋ॒जी॒षि॒न् । वि॒ऽमुच्य॑ । हरी॒ इति॑ । इ॒ह । मा॒द॒य॒स्व॒ ॥
indra | somam | soma-pate | piba | imam | mādhyandinam | savanam | cāru | yat | te | pra-pruthya | śipreiti | magha-van | ṛjīṣin | vi-mucya | harī iti | iha | mādayasva
44
4 pādas × ~11 syllables
Strong, forward-driving cadence with room for emphatic invocatory pauses.
Builds uplift and heroic momentum; supports a feeling of gathering force and then release into delight (māda).
Directly tied to the Mādhyaṃdina-savana (midday Soma pressing) of Soma sacrifices (e.g., Agniṣṭoma), inviting Indra to drink and become empowered.
At the midday libation/pressing, when Indra is especially invoked to drink Soma.
Offering Soma with invitatory recitation; calling Indra to “come, drink, rejoice.”
Use as a midday (or peak-energy) invocation before meditation or focused work: offer the day’s clarity to the higher mind and ask for illumined action.
soma- from √su ‘press’ (outer) and as inner ‘delight’ (mad- field). mādhyandina ‘midday’ marks the second Soma pressing. vi-√muc ‘release/unyoke’ (PIE *mewk- debated; Indo-Iranian well-attested). √mad ‘be intoxicated/exhilarated’ underlies ‘māda’ as ecstasy/bliss.
Soma as ānanda (delight), expansion (prapruthyā), descent of power into the here-and-now (iha)
Indra’s drinking of Soma symbolizes aligning mental force with R̥ta so action becomes true and victorious.
Assimilation of Soma supports truth-seeing (ṛta-cit) rather than impulsive movement.
The ‘pressing’ is a microcosmic creation-act: extracting delight/light from the raw plant = drawing higher essence from nature.
Proto-Vedāntic / integral-psychological reading (Aurobindo-Kashyap): gods as powers of consciousness.
Midday
Midday corresponds to maximum inner lucidity; Soma is distilled joy; horses are mobilized energies that can be unyoked from outward running and turned inward.
Invite the illumined mind to drink the inner nectar; shift from effortful striving to luminous enjoyment that empowers action.
Ājñā (illumined mind) with support from Anāhata (joy)
Gentle kumbhaka after inhale (2–4 counts) while inwardly offering ‘Soma’ (felt sweetness/peace) to the brow-center.
From active concentration → bright stillness with uplifted joy (ānanda with force).
Chant once to gather; pause; feel the ‘midday clarity’ in the head; then mentally ‘unyoke the horses’ by relaxing compulsive thoughts and restless prāṇa, letting delight spread through the system.
Use standard Rigvedic accenting: preserve udatta on marked syllables; svarita on falling tones; anudatta as unraised background (consult śākhā-specific notation if available).
Keep clear stress on invocatory vocatives: índra / somapate; avoid flattening the cadence at pāda ends—let the triṣṭubh fall be audible.
Maintain retroflex ṛ in ṛjīṣin without adding a vowel., (harī): long ī; do not shorten., : articulate -dhy- cluster cleanly (mā-dhyan-di-nam)., : keep śi- crisp; avoid ‘si’.
Bright, calling tone at the start; warmer, fuller resonance on ‘mādayasva’.
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