अनाहतं शब्दगतं शब्दादिगणसंभवम् । एवं सोमेश्वरं विद्धि प्रभासे लिंगरूपिणम्
anāhataṃ śabdagataṃ śabdādigaṇasaṃbhavam | evaṃ someśvaraṃ viddhi prabhāse liṃgarūpiṇam
Sache que Someśvara à Prabhāsa—sous la forme du Liṅga—est le son non frappé (anāhata), présent au cœur même du son, source d’où surgissent les catégories commençant par le son.
Deductive: narrator/teacher figure concluding the description of Someśvara at Prabhāsa
Tirtha: Prabhāsa—Someśvara/Somnatha
Type: kshetra
Scene: A pilgrim-sage sits before the Someśvara liṅga at Prabhāsa; waves of subtle sound (concentric ripples) emanate from the liṅga into the cosmos, birthing the sensory categories; the sea-coast light of Prabhāsa glows behind the temple silhouette.
The Prabhāsa Liṅga (Someśvara) is taught as the inner, unstruck source-principle behind sound and manifestation—inviting meditative realization.
Prabhāsa kṣetra explicitly, with focus on Someśvara in Liṅga form.
No formal rite is stated; a yogic/meditative orientation is implied through contemplation of anāhata (inner sound) and praṇava-like principles.