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Skanda Purana — Nagara Khanda, Shloka 63

हस्तकांश्चतुराशीतिं स ससर्ज सदाशिवः । ललाटफलकस्वेदात्सूतमागधबंदिनः

hastakāṃścaturāśītiṃ sa sasarja sadāśivaḥ | lalāṭaphalakasvedātsūtamāgadhabaṃdinaḥ

De la sueur de son front, Sadāśiva fit naître quatre-vingt-quatre Hastakas : des Sūtas, des Māgadhas et des bardes qui chantent les louanges.

hastakānhand-drummers/hand-percussionists (hastakas)
hastakān:
Karma (Object/कर्म)
TypeNoun
Roothastaka (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/द्वितीया), बहुवचन — Accusative plural
caand
ca:
Samuccaya (Connector)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चयबोधक अव्यय — conjunction
caturāśītīmeighty-four
caturāśītīm:
Viśeṣaṇa (Qualifier)
TypeAdjective
Rootcaturāśīti (प्रातिपदिक; संख्या)
Formस्त्रीलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन — Accusative singular; संख्यावाचक विशेषण (हस्तकान् इत्यस्य संख्या)
saḥhe
saḥ:
Karta (Subject/कर्ता)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन — Nominative singular; सर्वनाम
sasarjacreated/emitted
sasarja:
Kriyā (Predicate action)
TypeVerb
Root√sṛj (धातु)
Formलिट् (Perfect/लिट्), प्रथमपुरुष (3rd), एकवचन — 3rd sg perfect; परस्मैपद
sadāśivaḥSadāśiva
sadāśivaḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootsadāśiva (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन — Nominative singular; विशेष्य (saḥ)
lalāṭa-phalaka-svedātfrom the sweat on the forehead-plate (forehead)
lalāṭa-phalaka-svedāt:
Apādāna (Source/अपादान)
TypeNoun
Rootlalāṭa (प्रातिपदिक) + phalaka (प्रातिपदिक) + sveda (प्रातिपदिक)
Formपुंलिङ्ग, पञ्चमी (5th/पञ्चमी), एकवचन — Ablative singular; समासः (ललाटस्य फलकस्य स्वेदात्)
sūta-māgadha-baṃdinaḥSūtas, Māgadhas, and bards
sūta-māgadha-baṃdinaḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootsūta (प्रातिपदिक) + māgadha (प्रातिपदिक) + baṃdin (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), बहुवचन — Nominative plural; इतरेतर-द्वन्द्व (सूताश्च मागधाश्च बन्दिनश्च)

Sūta (Lomaharṣaṇa) narrating to the Ṛṣis (deduced; speaker not explicit in snippet)

Type: kshetra

Scene: From Śiva’s brow-sweat (lalāṭa-sveda) emerge eighty-four attendants—Sūtas, Māgadhas, and Bandins—each holding scrolls, drums, or vīṇās, poised to proclaim praises.

S
Sadāśiva
S
Sūta
M
Māgadha
B
Bandin (bards)

FAQs

Sacred praise (stuti) is shown as divinely rooted—bards and narrators arise from Śiva himself, sanctifying the act of glorifying tīrthas and deities.

Within Nāgara Khaṇḍa’s Tīrthamāhātmya (Adhyāya 254), the surrounding tīrtha setting is being exalted; the particular site-name is not specified in this single verse.

No explicit rite is prescribed; the verse supports the dharma of stotra/ākhyāna (praise and sacred narration).