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Skanda Purana — Nagara Khanda, Shloka 134

बालमंडनसांनिध्ये स्थापयामास तत्तदा । विप्रपुण्याहघोषेण गीतवादित्रनिस्वनैः

bālamaṃḍanasāṃnidhye sthāpayāmāsa tattadā | viprapuṇyāhaghoṣeṇa gītavāditranisvanaiḥ

Alors, en la présence même de Bālamaṇḍana, il l’établit à cet instant, au milieu des acclamations de bon augure (puṇyāha) des brahmanes et des résonances de chants et d’instruments.

बालमण्डनसांनिध्येin the vicinity of Bālamaṇḍana
बालमण्डनसांनिध्ये:
Adhikarana (अधिकरण)
TypeNoun
Rootबालमण्डन + सांनिध्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी, एकवचन; षष्ठी-तत्पुरुष (‘बालमण्डनस्य सांनिध्यम्’ = in the vicinity of Bālamaṇḍana)
स्थापयामासinstalled; set up
स्थापयामास:
Kriya (क्रिया)
TypeVerb
Rootस्थापय् (स्थाप्-णिच्, धातु)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपद; ‘he installed’
तत्that (liṅga)
तत्:
Karma (कर्म)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया, एकवचन
तदाthen
तदा:
Adhikarana (अधिकरण)
TypeIndeclinable
Rootतदा (अव्यय)
Formअव्यय, कालवाचक (adverb: ‘then’)
विप्रपुण्याहघोषेणby the Brahmins’ ‘puṇyāha’ proclamation
विप्रपुण्याहघोषेण:
Karana (करण)
TypeNoun
Rootविप्र + पुण्याह + घोष (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, एकवचन; समाहार/तत्पुरुष (‘विप्राणां पुण्याहस्य घोषः’), साधनभावे
गीतवादित्रनिस्वनैःwith the sounds of songs and musical instruments
गीतवादित्रनिस्वनैः:
Karana (करण)
TypeNoun
Rootगीत + वादित्र + निस्वन (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, बहुवचन; इतरेतर-द्वन्द्व (sounds of singing and instruments)

Narrator

Tirtha: Bālamaṇḍana / Āghāṭa (linked contextually)

Type: kshetra

Scene: A vivid consecration tableau: Indra installs the liṅga near/within Bālamaṇḍana; brāhmaṇas chant puṇyāha; singers and instrumentalists create a resonant festive soundscape; lamps, flowers, and kalaśas abound.

B
Bālamaṇḍana
L
Liṅga (installed)
B
Brahmins (vipra)
R
Ritual music (gīta-vāditra)

FAQs

Public, dharmic worship—supported by mantra, blessing, and sacred sound—turns a holy place into a living center of devotion.

Bālamaṇḍana and its immediate sacred precinct, where the liṅga is installed.

Liṅga-pratiṣṭhā is performed with puṇyāha proclamations and ceremonial singing/instrumental music.