कन्या हस्तग्रहं तत्र याऽप्नोति पतिना सह । सा स्यात्पुत्रवती साध्वी सुखसौभाग्यसंयुता
kanyā hastagrahaṃ tatra yā'pnoti patinā saha | sā syātputravatī sādhvī sukhasaubhāgyasaṃyutā
La jeune fille qui, en ce lieu sacré, reçoit avec son époux le rite de la prise de la main, devient mère de fils, femme vertueuse et chaste, comblée de bonheur et de bonne fortune conjugale.
Unspecified in the snippet (within Sūta’s narration in Tīrthamāhātmya context)
Tirtha: Gāyatrī-tīrtha
Type: kund
Listener: Dvija audience addressed in the chapter’s discourse
Scene: A wedding scene at the tīrtha: bride and groom performing hastagrahaṇa near a sacred waterbody; a Devī shrine in the background; priests chanting; women holding lamps; auspicious items (mangala-kalasha, turmeric, flowers).
Dharma performed at a sanctified tīrtha is said to mature into both worldly well-being and moral excellence.
The verse points to ‘tatra’—the praised locale in this section: Gāyatrī-tīrtha within the Hāṭakeśvara-kṣetra māhātmya of the Nāgara Khaṇḍa.
Hastagraha—the formal hand-taking rite of marriage—performed at the tīrtha.