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Skanda Purana — Nagara Khanda, Shloka 34

ततो निशागमे प्राप्ते कृत्वा गौरीचतुष्टयम् । मृन्मयं यादृशं चैव तदिहैकमनाः शृणु

tato niśāgame prāpte kṛtvā gaurīcatuṣṭayam | mṛnmayaṃ yādṛśaṃ caiva tadihaikamanāḥ śṛṇu

Puis, lorsque la nuit survient, après avoir façonné l’ensemble des quatre Gaurī, écoute d’un esprit concentré comment doivent être faites ces formes d’argile.

ततःthen
ततः:
Kala (Sequence adjunct)
TypeIndeclinable
Rootततः (अव्यय)
Formक्रमवाचक-अव्यय (thereafter)
निशागमेat the coming of night
निशागमे:
Adhikarana (Time)
TypeNoun
Rootनिशा (प्रातिपदिक) + आगम (प्रातिपदिक)
Formपुंलिङ्ग, सप्तमी-विभक्ति (Locative), एकवचन (Singular); निशायाः आगमः इति षष्ठी-तत्पुरुषः
प्राप्तेwhen (it) has arrived
प्राप्ते:
Adhikarana (Locative absolute)
TypeAdjective
Rootप्राप् (धातु) → प्राप्त (कृदन्त/प्रातिपदिक)
Formसप्तमी-विभक्ति (Locative), एकवचन (Singular); सति-सप्तमी (locative absolute) प्रयोगः; भूतकृदन्त
कृत्वाhaving made
कृत्वा:
Purvakala-kriya (Prior action)
TypeVerb
Rootकृ (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभाव
गौरीचतुष्टयम्a set of four Gaurīs
गौरीचतुष्टयम्:
Karma (Object)
TypeNoun
Rootगौरी (प्रातिपदिक) + चतुष्टय (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन (Singular); गौऱ्याः चतुष्टयम् इति षष्ठी-तत्पुरुषः
मृन्मयम्made of clay
मृन्मयम्:
Visheshana (Qualifier of object)
TypeAdjective
Rootमृद् (प्रातिपदिक) + मयट् (तद्धित) → मृन्मय (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन (Singular); (गौरीचतुष्टयम् इति) विशेषणम्
यादृशम्of what kind/as is
यादृशम्:
Visheshana (Qualifier)
TypeAdjective
Rootयादृश (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन (Singular); प्रश्न/सापेक्ष-विशेषणम् (relative adjective)
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक-निपात
एवindeed/just
एव:
Sambandha (Emphasis)
TypeIndeclinable
Rootएव (अव्यय)
Formअवधारणार्थक-निपात (emphatic particle)
तत्that
तत्:
Karma (Object)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (Accusative), एकवचन (Singular); सर्वनाम
इहhere
इह:
Desha (Place adjunct)
TypeIndeclinable
Rootइह (अव्यय)
Formदेशवाचक-अव्यय (adverb: here)
एकमनाःO one with focused mind
एकमनाः:
Sambodhana (Address)
TypeAdjective
Rootएक (प्रातिपदिक) + मनस् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative), एकवचन (Singular); संबोधनार्थे (vocative sense) श्रोत्रे प्रति; एकं मनः यस्य सः इति कर्मधारय/बहुव्रीह्यर्थ-प्रयोग (one-pointed)
शृणुlisten
शृणु:
Kriya (Command)
TypeVerb
Rootश्रु (धातु)
Formलोट्-लकार (Imperative), मध्यम-पुरुष (2nd person), एकवचन (Singular), परस्मैपद

Skanda (deduced)

Scene: Night descends; a devotee kneads clay by lamplight, shaping four small Gaurī figures on a clean altar; the scene is intimate, sacred, and craft-focused.

G
Gaurī

FAQs

Sacred practice requires both devotion and correct method—attention to prescribed form is itself an act of reverence.

Within the Tīrthamāhātmya setting, the emphasis is on the ritual performed in a pilgrimage-sacred context; the verse itself highlights the rite, not a named location.

At night, prepare four clay representations of Gaurī and follow the instructed method of making them.