ततो निशागमे प्राप्ते कृत्वा गौरीचतुष्टयम् । मृन्मयं यादृशं चैव तदिहैकमनाः शृणु
tato niśāgame prāpte kṛtvā gaurīcatuṣṭayam | mṛnmayaṃ yādṛśaṃ caiva tadihaikamanāḥ śṛṇu
Puis, lorsque la nuit survient, après avoir façonné l’ensemble des quatre Gaurī, écoute d’un esprit concentré comment doivent être faites ces formes d’argile.
Skanda (deduced)
Scene: Night descends; a devotee kneads clay by lamplight, shaping four small Gaurī figures on a clean altar; the scene is intimate, sacred, and craft-focused.
Sacred practice requires both devotion and correct method—attention to prescribed form is itself an act of reverence.
Within the Tīrthamāhātmya setting, the emphasis is on the ritual performed in a pilgrimage-sacred context; the verse itself highlights the rite, not a named location.
At night, prepare four clay representations of Gaurī and follow the instructed method of making them.