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Narada Purana — Purva Bhaga, Shloka 137

Rādhā-sambaddha-mantra-vyākhyā

Rādhā-Related Mantras Explained

ताटंकमंगदं तद्वद्रसना नूपुरं च तैः । विप्रक्षत्रियविट्शूद्रजातिभिर्भीमविग्रहैः ॥ १३७ ॥

tāṭaṃkamaṃgadaṃ tadvadrasanā nūpuraṃ ca taiḥ | viprakṣatriyaviṭśūdrajātibhirbhīmavigrahaiḥ || 137 ||

Par eux furent aussi façonnés les ornements d’oreille et les bracelets; de même les ceintures et les anneaux de cheville—œuvre d’êtres au corps redoutable issus des quatre ordres : brāhmaṇa, kṣatriya, vaiśya et śūdra.

ताटङ्कम्ear-ornament
ताटङ्कम्:
Karma (कर्म)
TypeNoun
Rootताटङ्क (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (कर्म), एकवचन
अङ्गदम्armlet
अङ्गदम्:
Karma (कर्म)
TypeNoun
Rootअङ्गद (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन
तद्वत्likewise
तद्वत्:
Sambandha/Upapada (सम्बन्ध/उपपद)
TypeIndeclinable
Rootतद्वत् (प्रातिपदिक/अव्ययवत्-प्रत्ययान्त)
Formअव्यय; तुल्यतासूचक (like that/likewise)
रसनाgirdle/belt
रसना:
Karma (कर्म)
TypeNoun
Rootरसना (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया-विभक्ति, एकवचन
नूपुरम्anklet
नूपुरम्:
Karma (कर्म)
TypeNoun
Rootनूपुर (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयार्थक-निपात (conjunction)
तैःby them/with those
तैः:
Karana (करण)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, तृतीया-विभक्ति (करण), बहुवचन; सर्वनाम
विप्र-क्षत्रिय-विट्-शूद्र-जातिभिःby the castes of Brahmin, Kshatriya, Vaishya, and Shudra
विप्र-क्षत्रिय-विट्-शूद्र-जातिभिः:
Karana (करण)
TypeNoun
Rootविप्र (प्रातिपदिक) + क्षत्रिय (प्रातिपदिक) + विट् (प्रातिपदिक) + शूद्र (प्रातिपदिक) + जाति (प्रातिपदिक)
Formस्त्रीलिङ्ग (जाति), तृतीया-विभक्ति (करण), बहुवचन; षष्ठी-तत्पुरुषसमासः (विप्रादीनां जातयः)
भीम-विग्रहैःwith formidable bodies/forms
भीम-विग्रहैः:
Karana (करण)
TypeAdjective
Rootभीम (प्रातिपदिक) + विग्रह (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (करण), बहुवचन; कर्मधारयसमासः (भीमः विग्रहः येषाम्/भीमविग्रहाः)

Sanatkumara (in dialogue with Narada)

Vrata: none

Primary Rasa: adbhuta

Secondary Rasa: bhayanaka

FAQs

It portrays an ordered dharmic society where even material crafts (ornaments like earrings, armlets, girdles, anklets) are situated within the four varnas, indicating structured social function rather than random chaos.

Direct bhakti instruction is not stated here; instead, the verse provides narrative detail about worldly arrangements. In Purāṇic teaching, such order supports dharma, which in turn becomes a stable foundation for sādhana and devotion.

The verse is descriptive rather than technical; its relevance is indirect—showing applied dharma and social classification (varna-jāti usage) that underlies ritual roles and customary practice discussed alongside Vedāṅga-oriented material in Book 1.3.