Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
ताटंकमंगदं तद्वद्रसना नूपुरं च तैः । विप्रक्षत्रियविट्शूद्रजातिभिर्भीमविग्रहैः ॥ १३७ ॥
tāṭaṃkamaṃgadaṃ tadvadrasanā nūpuraṃ ca taiḥ | viprakṣatriyaviṭśūdrajātibhirbhīmavigrahaiḥ || 137 ||
Par eux furent aussi façonnés les ornements d’oreille et les bracelets; de même les ceintures et les anneaux de cheville—œuvre d’êtres au corps redoutable issus des quatre ordres : brāhmaṇa, kṣatriya, vaiśya et śūdra.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
It portrays an ordered dharmic society where even material crafts (ornaments like earrings, armlets, girdles, anklets) are situated within the four varnas, indicating structured social function rather than random chaos.
Direct bhakti instruction is not stated here; instead, the verse provides narrative detail about worldly arrangements. In Purāṇic teaching, such order supports dharma, which in turn becomes a stable foundation for sādhana and devotion.
The verse is descriptive rather than technical; its relevance is indirect—showing applied dharma and social classification (varna-jāti usage) that underlies ritual roles and customary practice discussed alongside Vedāṅga-oriented material in Book 1.3.