Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
पश्चिमे मदनं बाणपाशांकुशशरासनाम् । धारयंतं जपारक्तं पूजयेद्रक्तभूषणम् ॥ ३० ॥
paścime madanaṃ bāṇapāśāṃkuśaśarāsanām | dhārayaṃtaṃ japāraktaṃ pūjayedraktabhūṣaṇam || 30 ||
À l’ouest, qu’on adore Madana (Kāma), tenant la flèche, le lacet, l’aiguillon et l’arc; rouge comme la fleur d’hibiscus, paré d’ornements rouges.
Narada (instructional narration within a ritual/technical description)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It encodes a ritual-visualization rule: placing Madana in the western direction with specific weapons and red color symbolism, guiding correct iconography and focused worship (upāsanā) within a technical procedure.
Bhakti here is expressed through precise worship—remembering the deity’s form, attributes, direction, and offerings/colors—so the mind becomes one-pointed (ekāgra) through disciplined devotional visualization.
It highlights applied ritual science: directional assignment (dik-vinyāsa) and iconographic specification used in pūjā/nyāsa-style procedures—technical rules aligned with śāstric ritual method.