Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
मातृकोक्ते यजेत्पीठे वक्ष्यमाणक्रमेण ताम् । वर्णाब्जेनासनं दद्यान्मूर्तिं मूलेन कल्पयेत् ॥ ९९ ॥
mātṛkokte yajetpīṭhe vakṣyamāṇakrameṇa tām | varṇābjenāsanaṃ dadyānmūrtiṃ mūlena kalpayet || 99 ||
Qu’on adore la Déesse sur le pīṭha enseigné selon le système des Mātr̥kā, en suivant l’ordre qui sera exposé. Qu’on lui offre un siège par le lotus des lettres, et qu’on établisse (ou contemple) la forme divine au moyen du mantra racine.
Narada (teaching in a technical/ritual context within Book 1.3)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that worship becomes effective when the deity is installed through a precise inner-outer method: a sanctified pīṭha, a letter-lotus seat (Mātr̥kā/varṇa), and a root-mantra that anchors the presence of the deity in consciousness and rite.
Bhakti here is expressed as disciplined upāsanā: devotion is not only emotion but also a structured offering—preparing a sacred seat and invoking the deity through mantra so the worshipper’s mind becomes steady and reverent.
It highlights mantra-vidyā and the technical use of varṇas (letters) in ritual construction—linking phonetics/śikṣā and mantra application to a step-by-step worship sequence (krama) for installation and visualization.