Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
अष्टापदी नवपदी सहस्राक्षाक्षरात्मिका । अष्टोत्तरशतं नाम्नां सावित्र्या यः पठेन्नरः ॥ १६६ ॥
aṣṭāpadī navapadī sahasrākṣākṣarātmikā | aṣṭottaraśataṃ nāmnāṃ sāvitryā yaḥ paṭhennaraḥ || 166 ||
Celui qui récite les cent huit noms de Savitrī—elle aux huit pas, aux neuf pas, dont la forme même est faite de mille syllabes—obtient le mérite annoncé pour un tel japa.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It emphasizes that Savitrī (Gāyatrī) is not merely a prayer but a living mantra-śakti with defined metrical forms, and that reciting her 108 names is a focused sādhanā that brings the stated spiritual merit.
Bhakti here takes the form of nāma-recitation and reverent japa: honoring Savitrī through her names and structure turns study into worship, aligning the practitioner’s mind with divine mantra-consciousness.
It points to Vedāṅga Chandas—awareness of pāda-based metrical patterns (eight- and nine-footed forms) and syllabic constitution—showing that mantra-recitation is traditionally tied to precise meter and phonetic discipline.