Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
धर्मार्थकाममोक्षाप्त्यै विनियोग उदाहृतः । षडंगदेवतामन्त्रैरंगन्यासं समाचरेत् ॥ १४० ॥
dharmārthakāmamokṣāptyai viniyoga udāhṛtaḥ | ṣaḍaṃgadevatāmantrairaṃganyāsaṃ samācaret || 140 ||
Pour obtenir dharma, artha, kāma et mokṣa, tel est proclamé le viniyoga (énoncé d’application rituelle) ; puis l’on doit accomplir l’aṅga-nyāsa au moyen des mantras des divinités des six membres (ṣaḍaṅga).
Sanatkumara (in instruction to Narada, within the Vedāṅga/ritual-technical discourse)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It frames mantra-prayoga as a complete sādhana: by correctly stating the viniyoga and performing aṅganyāsa, the practitioner aligns intention, deity-power, and body-mind for the four human aims culminating in mokṣa.
Bhakti here is expressed as disciplined worship: the devotee approaches the deity through mantras with proper application (viniyoga) and embodied reverence (nyāsa), turning devotion into a precise, sanctifying practice.
It highlights mantra-śāstra prayoga—especially the procedural elements of viniyoga and ṣaḍaṅga/aṅganyāsa—showing the technical ritual method used in Vedic and tantric-style recitation.