Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
त्रिधामूलेन मेधावी व्यापकं हि समाचरेत् । पूर्वोक्तां देवातां ध्यायेत्साकारां गुणसंयुताम् ॥ १४१ ॥
tridhāmūlena medhāvī vyāpakaṃ hi samācaret | pūrvoktāṃ devātāṃ dhyāyetsākārāṃ guṇasaṃyutām || 141 ||
S’appuyant sur le triple fondement, le pratiquant avisé doit accomplir la pratique totale et pénétrante ; et il doit méditer la divinité décrite plus haut—dotée de forme (sākāra) et riche de qualités divines.
Narada (teaching, in a dialogue context associated with Sanatkumara tradition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It instructs that effective sādhana should rest on a structured ‘threefold’ basis and culminate in focused upāsanā—meditating on the deity as both personal (with form) and intrinsically auspicious (endowed with guṇas).
By emphasizing meditation on a saguṇa, sākāra devatā, the verse supports bhakti-upāsanā where devotion is stabilized through a concrete form and contemplation of divine attributes.
It reflects procedural discipline typical of Vedanga-style instruction: correct method (samācaraṇa) and structured practice, implying the importance of mantra/upāsanā protocol rather than unregulated meditation.