The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
अनंतगुणसंपन्ना कृष्णकीर्तनलालसा । बीजत्रयमयी मूर्तिः कृष्णानुग्रहवांछिता ॥ १६९ ॥
anaṃtaguṇasaṃpannā kṛṣṇakīrtanalālasā | bījatrayamayī mūrtiḥ kṛṣṇānugrahavāṃchitā || 169 ||
Comblée d’infinies qualités divines, elle aspire à chanter le kīrtana des gloires de Kṛṣṇa. Elle est une forme constituée des trois syllabes-semences (bīja), et elle recherche la grâce bienveillante de Kṛṣṇa.
Sanatkumara (teaching Narada in the Vedanga/Mantra context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It portrays an ideal devotional manifestation that unites mantra-śakti (bīja-traya) with bhakti expressed as Kṛṣṇa-kīrtana, aiming solely at Kṛṣṇa’s anugraha (grace).
Bhakti is shown as an inner longing for kīrtana—continuous remembrance and praise of Kṛṣṇa—where the devotee’s goal is not display of power but receiving the Lord’s compassionate favor.
It hints at mantra-upāsanā principles used in technical traditions (linked with Vedāṅga-oriented practice): the use of bīja (seed) syllables and structured mantra-components to support focused devotion.