The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
दुर्गाराध्या रमाराध्या विश्वाराध्या चिदात्मिका । देवाराध्या पराराध्या ब्रह्माराध्या परात्मिका ॥ १५१ ॥
durgārādhyā ramārādhyā viśvārādhyā cidātmikā | devārādhyā parārādhyā brahmārādhyā parātmikā || 151 ||
Elle doit être vénérée comme Durgā; elle doit être vénérée comme Ramā (Lakṣmī). Elle est digne d’adoration comme l’univers même, et son essence est pure conscience. Les dieux l’adorent; elle est l’objet suprême du culte; elle est adorée comme Brahman, et elle est le Paramātmā, le Soi suprême.
Narada (stuti-style teaching within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that the Goddess is one reality approached through many revered names—Durgā, Ramā, the cosmos itself—and that her true nature is Consciousness (cit) and the Supreme Self (Paramātman).
It validates bhakti through multiple devotional gateways: worship of a personal deity-form (Durgā/Lakṣmī) is simultaneously worship of the supreme Brahman, uniting personal devotion with highest metaphysical realization.
It reflects mantra-śāstra and stuti-prayoga (liturgical application): the repeated epithet “ārādhyā” functions as a devotional/ritual cue for upāsanā, indicating sanctioned forms and names for invocation in worship.