The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
दिक्ष्वस्त्राणि समभ्यर्च्य पत्रेषु महिषीर्यजेत् । रुक्मिणी सत्यभामा च नाग्नजित्यभिधा पुनः ॥ ६१ ॥
dikṣvastrāṇi samabhyarcya patreṣu mahiṣīryajet | rukmiṇī satyabhāmā ca nāgnajityabhidhā punaḥ || 61 ||
Après avoir vénéré comme il se doit les armes divines dans les huit directions, qu’on rende ensuite un culte aux reines sur des plateaux de feuilles : Rukmiṇī, Satyabhāmā, et de nouveau celle qu’on nomme Nāgnajitī.
Narada (teaching the procedure within a technical/ritual context to the Sanatkumara tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches ordered worship: first sanctifying space by honoring protective divine weapons in all directions, then offering respectful upacāra to the Lord’s consorts—signifying protection, purity, and completeness of devotion.
Bhakti here is expressed as reverent, methodical service—worshipping the Lord’s powers (astrāṇi) and His intimate associates (the queens), treating the entire divine retinue as worthy of honor.
Ritual praxis: dik-worship (directional arrangement) and prescribed offering mediums (patra/leaf-plates), reflecting procedural discipline akin to Kalpa-style instructions used in pūjā and homa contexts.