The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
सुविंदा मित्रविंदा च लक्ष्मणा चर्क्षजा ततः । सुशीला च लसद्रम्यचित्रितांबरभूषणा ॥ ६२ ॥
suviṃdā mitraviṃdā ca lakṣmaṇā carkṣajā tataḥ | suśīlā ca lasadramyacitritāṃbarabhūṣaṇā || 62 ||
Suvindā et Mitravindā; puis Lakṣmaṇā, et ensuite Arkṣajā; et encore Suśīlā — rayonnante et gracieuse, parée de vêtements et d’ornements aux motifs exquis.
Narada (within an enumerative narrative context; traditional dialogue frame is Narada teaching the Sanatkumara brothers)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
This verse functions as a Puranic catalogue of notable persons (names and epithets), preserving sacred memory (smaraṇa) and lineage-style continuity—an important Purana method for anchoring dharma and tradition through remembered exemplars.
The verse does not directly teach bhakti practices; it supports bhakti indirectly through nāma-smaraṇa (recollection of revered names) and Purana narration, which are traditional supports for devotional listening (śravaṇa) and remembrance (smaraṇa).
The practical emphasis is lexical/onomastic clarity—useful for Vyākaraṇa (correct forms of names) and Nirukta-style attention to epithets (e.g., descriptive compounds like citritāmbara-bhūṣaṇā).