The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
कौस्तुभोद्भासितांगं च श्रीवत्सांकं सुभूषितम् । व्रजस्त्रीनेत्रकमलाभ्यर्चितं गोगणावृतम् ॥ ४९ ॥
kaustubhodbhāsitāṃgaṃ ca śrīvatsāṃkaṃ subhūṣitam | vrajastrīnetrakamalābhyarcitaṃ gogaṇāvṛtam || 49 ||
Son corps resplendissait du joyau Kaustubha ; magnifiquement paré, il portait la marque auspicieuse du Śrīvatsa. Il était adoré par les yeux de lotus des femmes de Vraja et entouré de troupeaux de vaches.
Narada (narrating within the Narada Purana’s instructional dialogue context)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: madhura
It presents a dhyāna-style portrait of the Lord—identified by Kaustubha and Śrīvatsa—so the devotee can fix the mind on His auspicious form and cultivate steady bhakti.
Bhakti is shown as loving adoration: the Vraja women ‘worship’ Him through heartfelt, absorbed vision, while His presence among cows highlights intimate, everyday devotion rather than distant ritualism.
It supports śikṣā/dhyāna-prayoga in a practical sense: precise iconographic identifiers (Kaustubha, Śrīvatsa) function as mnemonic markers for correct visualization and recitation-based contemplation.