The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
गोपवृंदयुतं वंशीं वादयंतं स्मरेत्सुधीः । एवं ध्यात्वा जपेदादावयुतद्वितयं बुधः ॥ ५० ॥
gopavṛṃdayutaṃ vaṃśīṃ vādayaṃtaṃ smaretsudhīḥ | evaṃ dhyātvā japedādāvayutadvitayaṃ budhaḥ || 50 ||
Que le sage se souvienne du Seigneur, entouré d’une troupe de bouviers, jouant de la flûte. Après avoir ainsi médité, l’homme instruit doit, au commencement, répéter le mantra vingt mille fois.
Narada (teaching in the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It links inner visualization (smaraṇa/dhyāna) of the flute-playing Lord with disciplined mantra repetition, showing that bhakti is strengthened by both devotion and regulated practice.
Bhakti is expressed as loving remembrance of Krishna amid the gopas (a devotional form), and it is stabilized through japa—devotion supported by sustained repetition after proper meditation.
The verse emphasizes procedural sādhanā—dhyāna followed by a prescribed japa-saṅkhyā (count). This reflects technical discipline in ritual/mantric practice rather than grammar or astrology.