The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
ब्रह्मरंध्रे भ्रुवोर्मध्ये हृन्नाभ्योर्गुह्यपादयोः । मंत्रवर्णान्क्रमान्न्यस्य केशवादीन्प्रविन्यसेत् ॥ ९ ॥
brahmaraṃdhre bhruvormadhye hṛnnābhyorguhyapādayoḥ | maṃtravarṇānkramānnyasya keśavādīnpravinyaset || 9 ||
En plaçant, dans l’ordre prescrit, les syllabes du mantra au brahma-randhra (sommet de la tête), entre les sourcils, dans le cœur, au nombril, dans la région secrète et aux pieds, qu’on installe ensuite avec soin (nyāsa) les Noms divins à commencer par Keśava.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches nyāsa—sanctifying the practitioner’s body by mapping mantra-syllables and Viṣṇu’s names onto key inner loci—so the body becomes a fit vessel for japa and worship.
By ‘installing’ names like Keśava within oneself, devotion becomes internalized: the devotee remembers Viṣṇu not only outwardly in ritual but inwardly through embodied remembrance.
It highlights technical mantra-prayoga: correct krama (sequence) of varṇas (syllables) and the procedural discipline of nyāsa used in orthodox ritual manuals linked with śikṣā (phonetics) and kalpa-style ritual method.