The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
ध्यात्वैवं प्रजपेद्वर्णलक्षं मंत्री दशांशतः । मध्वाक्तैः पायसैर्हुत्वा रामपीठे प्रपूजयेत ॥ १४५ ॥
dhyātvaivaṃ prajapedvarṇalakṣaṃ maṃtrī daśāṃśataḥ | madhvāktaiḥ pāyasairhutvā rāmapīṭhe prapūjayeta || 145 ||
Après avoir médité ainsi, le pratiquant doit réciter le mantra jusqu’à cent mille syllabes ; puis, offrant le dixième en oblations (homa) de pāyasa mêlé de miel, il doit adorer comme il se doit (le Seigneur) sur le Rāma-pīṭha, le siège de Rāma.
Narada (teaching ritual procedure in the technical/vidhi context to the Sanatkumara tradition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It presents a complete sādhana sequence—dhyāna (meditation), varṇa-lakṣa japa (disciplined mantra-recitation), daśāṁśa homa (a tenth-part oblation), and final worship—showing how inner focus is sealed by sacrificial offering and formal devotion.
Bhakti here is expressed as structured worship of Rāma: remembrance (dhyāna), repeated divine name/mantra (japa), and reverential offering (homa), culminating in pūjā on the Rāma-pīṭha—devotion enacted through both heart and rite.
It highlights ritual-technical discipline: counting mantra-recitation by syllables (varṇa), the daśāṁśa rule for homa after japa, and the specified havis (pāyasa with honey), reflecting procedural precision typical of Kalpa-oriented practice.