Narada Purana — Purva Bhaga, Shloka 146
The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
रामवद्यजनं चास्य सर्वसिद्धिप्रदो ह्ययम् । साकल्यं रामपूजाया यदीच्छेन्नियतं नरः ॥ १४६ ॥
rāmavadyajanaṃ cāsya sarvasiddhiprado hyayam | sākalyaṃ rāmapūjāyā yadīcchenniyataṃ naraḥ || 146 ||
La récitation, ou l’énonciation, de cet hymne à la louange de Rāma accorde véritablement toutes les siddhi. Si un homme de discipline désire le fruit entier du culte de Rāma, qu’il l’accomplisse régulièrement.
Sanatkumara (teaching Narada in the Vedanga/ritual-technical section)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
FAQs
It states that disciplined, regular recitation of a Rāma-praise text functions as a complete support to Rāma-pūjā, yielding ‘sarva-siddhi’—the full range of desired spiritual and worldly attainments—when performed with niyama (rule-bound devotion).
It frames bhakti as steady practice: praising and remembering Rāma through regulated recitation is presented as a direct devotional limb that perfects worship, emphasizing consistency (niyata) over occasional effort.
It highlights ritual discipline (niyama) and the technical efficacy of recitation/japa as a structured practice—aligned with Vedanga-style attention to correct, regular performance in worship.