Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
स्तंभयद्वितयं भूयो मोहयद्वितय ततः । द्रावयद्वितयं तावदाकर्षययुगं ततः ॥ १५० ॥
staṃbhayadvitayaṃ bhūyo mohayadvitaya tataḥ | drāvayadvitayaṃ tāvadākarṣayayugaṃ tataḥ || 150 ||
De nouveau, qu’on accomplisse la paire de rites d’immobilisation; puis la paire de rites d’illusion. Ensuite, qu’on accomplisse la paire de rites de liquéfaction et d’adoucissement; et après cela, la paire de rites d’attraction.
Sanatkumara (teaching Narada in a technical/ritual-science context)
Vrata: none
Primary Rasa: vira
Secondary Rasa: raudra
It presents an ordered ritual methodology—progressing from restraint (stambhana) to confusion (mohana), then softening (drāvaṇa), and finally drawing-in (ākarṣaṇa)—showing how technical rites are applied step-by-step rather than randomly.
Indirectly: it highlights disciplined procedure and controlled application of powers, implying that higher aims (including devotion) require method, restraint, and right sequencing rather than impulsive practice.
A practical, procedural emphasis typical of technical disciplines—how a rite is sequenced and repeated—aligning with applied ritual science and the precision valued in Vedanga-style learning.