Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
ह्रीं रमामध्यगामष्टौ वर्णांस्तारादिकान्न्यसेत् । मूर्द्धास्यकंठहृत्कुक्षिनाभिलिंगगुदेषु च ॥ ९ ॥
hrīṃ ramāmadhyagāmaṣṭau varṇāṃstārādikānnyaset | mūrddhāsyakaṃṭhahṛtkukṣinābhiliṃgagudeṣu ca || 9 ||
Par le nyāsa, qu’il installe les huit syllabes commençant par la Tārā (oṁ) et portant Ramā (Śrī/Lakṣmī) en leur milieu, en les plaçant sur la tête, la bouche, la gorge, le cœur, le ventre, le nombril, l’organe générateur et l’anus.
Sanatkumara (in instruction to Narada on mantra-nyāsa procedure)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It teaches nyāsa—ritually installing sacred syllables on key bodily centers—so the practitioner’s body becomes a consecrated support (ādhāra) for mantra-japa and worship, aligning speech, breath, and awareness with the mantra’s power.
By prescribing mantra-vidhi connected with Ramā (Śrī) and Tārā (oṁ), it frames devotion as disciplined upāsanā: the devotee prepares the body-mind as a temple before engaging in japa and pūjā, making bhakti steady and focused.
It highlights applied ritual science—mantra-vinyāsa/nyāsa—using precise placements and syllable-count (aṣṭa-varṇa), reflecting technical procedure akin to Śikṣā (mantric articulation) and Kalpa (ritual method).