Śuka’s Yoga-ascent, the Echo of ‘Bhoḥ’, and the Vaikuṇṭha Vision
भ्राजत्किरीटवलयं मणिनूपुरशोभितम् । ददर्श सिद्धनि करैः सेव्यमानमहर्निशम् ॥ ४९ ॥
bhrājatkirīṭavalayaṃ maṇinūpuraśobhitam | dadarśa siddhani karaiḥ sevyamānamaharniśam || 49 ||
Il contempla le Resplendissant, paré d’une couronne éclatante et d’ornements aux bras, embelli par des anneaux de cheville sertis de gemmes; et servi sans relâche, jour et nuit, par des multitudes de Siddhas.
Narada (narrating in dialogue, traditionally to Sanatkumara and the Sanaka brothers in this Moksha-Dharma section)
Vrata: none
Primary Rasa: adbhuta (wonder)
Secondary Rasa: shanta (peace)
It highlights divine darśana: the Supreme (or a revered deity) is perceived as eternally resplendent and worthy of uninterrupted service, showing that perfected beings (Siddhas) naturally remain absorbed in constant reverence.
Bhakti is presented as continuous sevā (service) rather than occasional worship—day-and-night attendance by Siddhas models unbroken remembrance and devotion as a direct means toward mokṣa.
While not a technical Vedāṅga passage, it implicitly supports Kalpa (ritual discipline) through the ideal of regular, uninterrupted worship (nitya-sevā) and proper honoring of the deity in devotional practice.