The Description of the Glory of the Purāṇa
Purāṇa-Māhātmya
वटं कालाभ्रसदृशं ददर्श शतयोजनम् । तस्याधस्तात्समासीनं योगिमण्डलमध्यगम् ॥ १६ ॥
vaṭaṃ kālābhrasadṛśaṃ dadarśa śatayojanam | tasyādhastātsamāsīnaṃ yogimaṇḍalamadhyagam || 16 ||
Il aperçut un banian (vaṭa), sombre comme un amas de nuées d’orage, s’étendant sur cent yojanas; et, sous lui, il vit un être assis, établi au centre même d’un cercle de yogins.
Narada (narrative voice within the Purva Bhaga dialogue tradition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
The verse uses a vast, cloud-dark banyan tree and a yogic circle to signal a concentrated field of tapas and realization—where a central adept (or teacher) embodies steadiness and authority amid disciplined seekers.
While the verse is primarily yogic in imagery, it aligns with Bhakti narrative patterns in the Narada Purana by portraying reverent approach to a realized center—suggesting that guidance, surrender, and association with the spiritually established are gateways to higher realization.
No specific Vedanga (like Vyakarana, Jyotisha, or Kalpa) is taught directly in this shloka; the practical takeaway is about satsaṅga—seeking instruction in a disciplined spiritual setting (yogi-maṇḍala) under a recognized locus of practice.