The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
मुंडस्रङ्मस्तकां मुक्तकेशां पितृवनस्तिताम् । सर्वालंकृतवर्णां च श्यामांगीं कालिकां स्मरेत् ॥ ७ ॥
muṃḍasraṅmastakāṃ muktakeśāṃ pitṛvanastitām | sarvālaṃkṛtavarṇāṃ ca śyāmāṃgīṃ kālikāṃ smaret || 7 ||
Man soll Kālikā meditieren: ihr Haupt geschmückt mit einer Girlande aus Schädeln, das Haar gelöst, verweilend im Pitṛ-Wald (dem Bereich der Ahnen), reich geziert und von dunkler Gliederfarbe.
Narada (teaching a dhyāna/visualization formula within a technical-ritual context)
Vrata: none
Primary Rasa: bhayanaka
Secondary Rasa: adbhuta
It gives a precise dhyāna-lakṣaṇa (meditative iconography) of Goddess Kālikā, training the practitioner to fix the mind on a defined sacred form so mantra and worship become focused and effective.
Bhakti here functions as smaraṇa (devotional remembrance): the devotee repeatedly contemplates the deity’s form—garlanded with skulls, dark-bodied, unbound-haired—so reverence and surrender become steady through continuous meditation.
It reflects prayoga-style ritual knowledge: a dhyāna instruction used as a preparatory limb of worship (upacāra/nyāsa-dhyāna sequence), emphasizing correct visualization and prescribed descriptors for ritual success.