Hanumān-mantra-kathana: Mantra-bheda, Nyāsa, Yantra, and Prayoga
ताम्रपात्रे ततः पद्ममष्टपत्रं सकेशरम् । कुचंदनेन घृष्टेन संलिखेत्तच्छलाकया ॥ १३१ ॥
tāmrapātre tataḥ padmamaṣṭapatraṃ sakeśaram | kucaṃdanena ghṛṣṭena saṃlikhettacchalākayā || 131 ||
Dann zeichne man auf einer Kupferplatte einen achtblättrigen Lotus samt vollständig ausgeprägtem Inneren, mit einem Griffel, der mit geriebenem weißem Sandelholz bestrichen ist.
Narada (instructing within a technical/ritual context, traditionally in dialogue with Sanatkumara lineage)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It prescribes a precise ritual act—inscribing an eight-petalled lotus—used as a sacred support for worship (upāsanā), emphasizing purity of materials and exact form in devotional rites.
Bhakti here is expressed through careful, reverent preparation of a worship-base (like a lotus diagram) that focuses the mind and sanctifies the act of offering, turning technique into devotion.
It highlights procedural ritual know-how—selection of medium (copper plate), prescribed iconography (aṣṭapatra padma), and method of inscription—typical of technical disciplines associated with Kalpa-style ritual practice.